A straight-up tale of love, betrayal and incest
Laugh-out-loud funny and excruciatingly sad: welcome to the messy world of relationships
Another homage to the early days of cinema, this time on stage
High culture meets children's entertainment
One of the most bonkers musicals we've ever seen
LaBute’s warm play shows us how destructive it can be to place such a high value on physical beauty.
Racial tensions simmer in this new Royal Court play, perfomed in Peckham
13 reasons why you might like to see Mike Bartlett's new play
A fantastical and flamboyant interpretation of Pushkin's short story.
Why fool around with hamburger when you have steak at home?
Though intended as a ‘celebration of the power of storytelling’, Poliakoff’s drama is, unfortunately, rather dull.
Arnold Wesker’s two-acter – first staged at the Royal Court in 1959 – is ably and imaginatively directed by Bijan Sheibani.
If you can embrace the play’s sugary, sentimental moments, Fiennes’ performance is a damn good ‘un and well worth catching if you can.
Helm’s debut play about the Iraq war is intelligent and it makes you laugh, usually bitterly. But if it was intended to shock, it rather falls short – if only because the events of the play are no more appalling than the facts.
In this its first production of Marlowe's Doctor Faustus, the Globe stages quite the spectacle - but its humour falls a little flat...
Eschewing the clichés of high drama, Ian Rickson’s excellent production of Pinter's 1978 play remains solidly down to earth, accurate and honest.
Wonderfully ingenuous, this winsome story about friendship, growing up and the first stirrings of desire is a joy.
The Almeida tops off an excellent season with James MacDonald’s faultless production and a first-rate ensemble cast that blows your socks off.
Questions, questions, questions.
J B Priestly's moral drama poses enough questions to entertain, but remains slightly detached from today's audience
The Scottish play, standing up in a dark, dank prison.
An astonishing achievement, this brilliant, very human play brings both Blythe’s signature verbatim technique and the concept of musical theatre to a whole new level
What do London's theatre bloggers make of the West End's newest musical?
The Kensington Drama Company's theatre production of A Clockwork Orange bristles with energy. But there's no space to explore this classic cult story's moral dilemma.
Londonist
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