See Svetlana Zakharova in Amore.
This immersive offering of Pussy Riot's ordeal is more parody than protest art.
A sultry and thought-provoking performance.
Brockley Jack revives the well-worn classic.
Still as relevant as it was 2,500 years ago.
Not a tartan bonnet in sight.
A play that needs more comedy. Or closure. Or both.
An uplifting and empowering show at Soho Theatre.
An ideal Christmas outing that's far classier than pantomime.
A tighter script makes for a convincing show.
Inexplicable lip syncing and tedious storylines.
This one seems familiar to modern-day audiences.
An eggy, horror version of Groundhog Day.
Radical ballet is in town.
Thrilling stuff.
Comedy duo returns to Soho Theatre.
Perfectly pitched and delightfully uncomplicated family fun.
Raucous, riotous, and rough and ready.
Richard Bean's work isn't quite an equal for the impressive venue.
The best panto you’ll see before Christmas. Or next Christmas.
Last chance to see.
Something to see, whatever you look for in a ballet.
For fans of dark comedy.
Four acts of pontification and laboured aphorisms.
Londonist
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