Articles by Sam Smith

By Sam Smith

Theatre Review: The Time Out @ Barbican

Taking interactive theatre to new heights.

By Sam Smith

Opera Review: Don Giovanni @ Coliseum

English National Opera's first revival of its 2010 production works a treat.

By Sam Smith

Opera Review: Julius Caesar @ Coliseum

Two first rate counter-tenors appear in this new production of Handel's masterpiece.
By Sam Smith

Review: A Chorus Of Disapproval @ Harold Pinter Theatre

This play about amateur dramatics could not be more professional.

By Sam Smith

Theatre Review: Let It Be @ Prince of Wales Theatre

Fifty years after their first hit The Beatles are back!

By Sam Smith

Theatre Review: Mademoiselle Julie @ Barbican

Juliette Binoche takes to the London stage in this modern day adaptation of August Strindberg's classic.
By Sam Smith

Opera Review: Julietta @ Coliseum

English National Opera takes a risk and comes up trumps.
By Sam Smith

Theatre Review: Taboo – The Boy George Musical @ Brixton Club House

As authentic a setting as you could get for this show.

By Sam Smith

Theatre Review: Bravo Figaro! @ Tricycle Theatre

Bravo Mark Thomas for this one-man show exploring a father-son relationship, and a love of opera.

By Sam Smith

Preview: English National Opera @ Coliseum, September – December 2012

Works from the 18th to 20th centuries make this a bumper packed season.

By Sam Smith

Review: Carousel @ Barbican Theatre

Show-stopping songs combine with winning performances in the Rodgers and Hammerstein classic.

By Sam Smith

Preview: Carousel @ Barbican Theatre

Londonist goes behind the scenes of Rodgers and Hammerstein's richest creation.

By Sam Smith

Review: Spamalot @ Harold Pinter Theatre

Fish slapping and swallows carrying coconuts? It could only be Monty Python!

By Sam Smith

Theatre Review: Mack and Mabel @ Southwark Playhouse

Tap your troubles away with Jerry Herman's outstanding musical score.
By Sam Smith

Theatre Review: Democracy @ Old Vic

Michael Frayn's 2003 play about German politics and human nature.
By Sam Smith

Opera Review: Billy Budd @ Coliseum

English National Opera reveals its affinity with composer Benjamin Britten.
By Sam Smith

Theatre Review: The Tempest @ The Roundhouse

Coolly lit, starkly staged and highly effective.
By Sam Smith

Theatre Review: A Midsummer Night’s Dream @ Regent’s Park Open Air Theatre

A heady mix of dreamy passion and high comedy.