Psychosexual game-playing with a savagely primal edge.
Anton Chekhov’s classic tragicomedy is given a fresh approach
Like toast itself, it’s comfort eating but not quite sustenance enough for an entire evening.
Intense, haunting and haunted.
Tony Benn's diaries translated into a one-act monologue.
Max Porter's powerful book has been adapted for the stage.
Often overlooked for the composer's more popular works.
It most certainly can.
Dame Penelope Wilton is the star of the show.
A gentle, charming one-man play.
At last, Rufus Norris’s National Theatre has come of age.
Family breakup causes mental breakdown in the finale of Florian Zeller's 'family trilogy'.
Stephen Sondheim's sharp witticisms - with added rhinestones.
Surreal humour seamlessly interwoven with heavy drama.
Impressive acts of mimicry, but short on ambition.
A dark comedy drama set in New York’s Rikers Island prison.
A goosebump-inducing production about the kindness of strangers and the power of people.
Reprising a work whose own author said it should probably be destroyed.
Not very thrilling, as thrillers go.
David Suchet steals the show with his vaudevillian-style patter.
The Greek myth has been updated for modern audiences.
The real-life story of a gay couple's family dilemma.
See the story performed in the library where it was written.
Diverting enough, but a bit creaky for the casual viewer.
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