39 songs. No dialogue.
More heat than light in this story of a self destructive teenager.
Bartholomew Fair is brilliantly batty but the setting leaves us cold.
A delve into the dark corners of the American home and history at Donmar Warehouse.
A detailed character study of Annie Edson Taylor's Niagara Falls stunt.
At last, someone has laid to rest the sugary ghost of Elaine Paige.
The distance and detachment of modern warfare.
An intensely languid but problematic late Williams.
A hypnotic feat of muscular contortion.
Even that technicolor coat struggles to shift attention from Sheridan Smith.
Quite simply, a joy.
1990s romance novel comes to the stage.
20 short scenes create a disturbing portrait of European unity under threat.
Director Matthew Warchus adds his own twist.
Manipulative movie moguls in the spotlight.
Thinly-spread drama leaves us a little dry.
Shakespeare collides with Cirque de Soleil and a Pride parade in a melee of sequin-spangled silliness.
Tennessee Williams' 'memory play' at its finest.
A promising debut from Bim Adewunmi.
Welcome to the hidden microphone-laden East Germany of 1968.
A rich brew of eccentric, colourful characters in the rarely revived drama.
Original, and utterly devastating.
Visually striking but narratively unconvincing.
Guilt, secrets and traumatic events.
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