Hellish Londonscapes In This Unsettling Exhibition

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Last Updated 05 February 2025

Hellish Londonscapes In This Unsettling Exhibition
A hellish looking London sketched out
Capital at Risk: Drawing the City of London. Click to enlarge

It is a hellish melee — a terrifyingly turbulent London, which William Hogarth and Hieronymus Bosch might have teamed up to concoct.

These unsettling drawings are in fact the work of Christie's Award-winner Louis Pohl Koseda, whose exhibition The Dawn of the Golden Age — on for a brief stint at Christie's in February — brings the societal issues of modern day London into discomforting fine-line focus.

A drawing of a melee in a Jobcentre
Jobcentre Minus Bureaucracy for Demoralisation in the Jobcentre Plus.
Depressed looking people in a cafe
Blue Monday.

Inspired by Hindu and Christian texts, alongside elements of his childhood in east London, Koseda envisions an imploding capital in which a form of "Last Judgement' plays out. Oxford Street shops are looted while Hare Krishnas dance about and an accordion is played. People are squeezed into Jobcentres — their homes on sticks like placards or bindles. Chunks of London's architecture are de-anchored from their foundations, floating off as if in a Christopher Nolan film.

In Capital at Risk: Drawing the City of London (see top image), the artist explains: "The City prides itself on competition so I decided to create a melee of eruption in the streets between Liverpool Street and Bank station, and the competition in the City of London's financial sector."

All hell breaking loose on Oxford Street
Escape from the Material World: Oxford Street Kirtan
A melee of figures with houses on sticks
Supply Shock: The Oligopoly of Housing and the London Rental Market.

Each drawing throbs with confusion, frustration, delirium — a sense that London is tearing itself limb-from-limb, institution-from-institution. Figures are slurped up into the heavens, although these cacophonous canvases feel anything but redemptive.

Drawing of people floating up into the air, with fragmented bank buildings
Society of the Speculator: Drawing Speculative Finance and New Media Relationships. Click to enlarge
Tortured looking figures backgrounded by the City of London
The Never Ending Story: Council Estates and Generational Trauma.

Continues Koseda: "In this series, I'm using a fictional opera as a framework to show our complex society. But in a sense, this opera is real. Through the prism of the imagination, we get closer to truth. The pieces are drawn in a live dialogue with the world around us. By revealing how social systems are constructed, I am inviting the viewer to co-create them. Drawing is both action and research.

"Each work juxtaposes the intangible, spiritual, and mythological with the visceral, often brutal realities of human life."

Food for thought, alright — but after seeing this show you'll probably feel the urge to treat yourself to a comforting ice cream.

The Dawn of the Golden Age, 10-14 February, Christie's London, free

All images © Louis Pohl Koseda