A bit too cosy, with a sentimental ending.
This reimagining of the classic story is a bit flavourless.
Carmen gets a change of scene.
Travel back to the early noughties.
There will be butts.
Conor McPherson’s reworking nicely millennial-ises Chekhov's original.
Noble intent, laborious delivery.
New cast, same feel-good vibes.
Is it all black and white?
The Wrong Brothers get it right again.
A look at gender politics that’s utterly now.
Funniest? Johnson and Farage, of course.
A cycling play which freewheels to victory.
A captivating storyteller.
Theatre that isn't shy.
At the Park Theatre.
A sharp and incisive piece on how discrimination affects disabled people.
Richard Jones takes on Puccini.
London's number one circus venue delivers again.
It seems to have escaped almost everyone involved that it was intended as a satire.
Brave, deeply human heroines connect with Chekhov’s original characters in a world just as doomed.
An entertaining, heartwarming show.
Lacking the stylish way of the original.
Fresh, snappy and snarky, this holiday Vaudeville warms the cockles
Londonist
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