Excellent on-stage antics at Pleasance Theatre.
Pacy, punchy and packed with gags.
Exhibition designed by 'Tower poppies' creator.
Gender bending Shakespeare.
A sprightly production of the cerebral playwright's work.
Even a cast led by Gwen Taylor can't bring this dated show back to life.
An uncomfortable but powerful watch.
C.S. Lewis' classic comes to the stage.
You are what you wear.
Corrupt leaders and heroes exposed in swinging Vienna.
Like stand-up comedy, without the jokes.
Ever told a lie that went out of control?
Max Martin meets the Bard.
Money only buys a kinky form of happiness here.
New play salutes jailed journalists.
The show must go on at the Royal Opera House.
Is it too cheesy to say it's supercalifragilisticexpialidocious?
Waaay better than cracker jokes.
Nobody comes out of this thin theatrical soup with much credit.
Fitzgerald's classic goes immersive.
Gender fluid Shakespeare.
Still grand, still stylish, still the best fun you’ll have at the opera.
An unexpected narrative which ends on a high note.
Miriam Margolyes excels as a sarcastic pensioner.
Londonist
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