Theatre Review: Aspects Of Love @ Menier Chocolate Factory

By Johnny Fox Last edited 93 months ago
Theatre Review: Aspects Of Love @ Menier Chocolate Factory

image_mini.png

The trouble with Andrew Lloyd Webber...

No, that's too easy.

The trouble with Apects of Love is that it’s a trite plot about characters too self-absorbed to care about, woven with the relentless thread of ALW’s musical recycling. All the new Trevor Nunn production at the Menier Chocolate Factory does is illuminate the weaving flaws.

Apart from the fact the best-known song is hauntingly similar to a theme by Bach, one of the major melodies from Aspects ‘Anything but Lonely’ is reused from Tell Me On a Sunday, and the second trickles endlessly through Sunset Boulevard like a dose of musical dysentery.

Given this familiarity, and the fact that modern audiences expect less predictable lyrics than Don Black wrote in 1989 - sometimes you can spot the obvious rhymes bearing down on you like double decker buses - this revival of Aspects is less satisfying than perhaps it was when fresh.

It seems a frequent complaint that well-crafted performances are let down by the material, and there are some simply excellent singers in this production: Dave Willetts is outstanding, a beautiful mature timbre to his voice, but wasted on the banality of the music and lyrics, and it is especially refreshing to hear Michael Arden, as Alex, effortlessly hurdle the top ‘A’ in ‘Love Changes Everything’ without Michael Ball’s overexcited coloratura.

The plotting is tedious - self-centred actress Rose bounces between older and younger lovers, themselves uncle and nephew and one of which has fathered her coquettish teenage daughter with whom both men are further competitively infatuated. There’s a side issue of an Italian sculptress who may be mistress of both the uncle and the actress, ooh-er, sapphism Missus, and an uncredited ‘Hugo’ who incidentally has a lovely voice, who may also be shagging the actress. Although he looks like he'd rather do both of the men.

Throw in the wearing of a dress made for a deceased lady of the house, nicked directly from Rebecca, and the older/younger/actress/daughter quadrilateral borrowed from A Little Night Music and the source material becomes more interesting than the resultant musical.

It’s hard to warm to Rose Vibert because she’s such an unlovely character, but Katharine Kingsley’s performance shows the calculating coarseness lurking beneath the powder and paint, if rarely the warmth of a genuine romantic.

The production runs 2 hours 45 but you could trim half an hour of that by cutting the pretentious ALW operatic recitative (almost everything is sung) and turning it into dialogue between musical numbers. The set is a series of chipboard doors and picture frames which slide and occasionally reveal scenic implants including an Alpine panorama disturbingly reminiscent of Hilda Ogden’s ‘muriel’ from Coronation Street.

Sir Trevor Nunn is 70.

Aspects of Love continues at the Menier Chocolate Factory until September 26 with evening performances Tuesday-Saturday at 8pm and Saturday and Sunday matinees at 3.30pm. Box office 020 7907 7060 or tickets online here. The auditorium has been re-shaped to the half-octagonal formation used for A Little Night Music. All seats are £32 so avoid the extreme sides of the front two or three rows if you want to see everything. Take a fan if it's a warm night.

Last Updated 15 July 2010

Damo

Interesting review - which two songs are recycled from Tell Me on a Sunday and Sunset Boulevard? I can't think of what they might be.

(Incidentally - I think Alex's high note is a B-flat, not an E!)

Nick

What a ridiculous review - peppered with inaccuracies. 'Anything But Lonely' never appeared in Tell Me On A Sunday - it originated in Aspects of Love. Always nice if a reviewer gets their facts right - and whilst you're at it - why not upload the new logo for the show, rather than one which is nearly 20 years old?

PS: As previously stated it is top B flat...

PPS: It's mural, not muriel...

Lindsey

Interesting that neither of you have commented on the show - have you seen it? What did you think?

JohnnyFox

Oh, and as for the logo - this is what the Menier was using in its pre-publicity and we tend to go with the theatre's own poster image or logo until production photos are available which at the time of the review they were not.

Anyway, as Lindsey asks, what did you think of the show? Reviews are only opinions and therefore yours is as good as mine.

Musicalsfan

I saw this show last night and have to agree that the script is 'clunky', you CAN see the obvious rhymes coming a mile off.

In my opinion there was WAY too much singing (as in Opera) - I expected "excuse me while I use the loo" "no problem, watch the flush" to be sung at any moment!

I thought the set was wonderful, and liked the way it was used. The performances were fabulous in themselves, but there was no chemistry between the actors, making the relationships totally unbelieveable.

Lord Lloyd Webber was sitting 2 rows in front of me, so maybe the cast were all a little more nervous than usual! Or maybe it was because Clare Sweeney was there too!!

If you see the show, don't you think that "George" looks like Dick Van Dyke in Diagnosis Murder? And "Hugo" is lovely in a vest!

I went with my mum, and she loved it, crying buckets. I was left rather cold, still, I had a lovely dinner in the restaurant beforehand!