Tagged in EC1R 4TN

Ladysmith Black Mambazo In Zulu Ballet Inala

Ladysmith Black Mambazo In Zulu Ballet Inala

Music and dance evoke South Africa. | By Laura Dodge ★★★☆☆
Actors Get Grubby In Soil-Strewn Sadler's Wells

Actors Get Grubby In Soil-Strewn Sadler's Wells

Earthy tragicomedy from mistress of the brilliantly bleak. | By Lise Smith ★★★★☆
The Show Must Go On Is Witty And Joyful

The Show Must Go On Is Witty And Joyful

Witty, joyful, sometimes plain daft dance. | By Lise Smith ★★★★☆
Modern Masters: Powerful Ballet Without A Tutu In Sight

Modern Masters: Powerful Ballet Without A Tutu In Sight

English National Ballet excels in three contemporary works. | By Laura Dodge ★★★★☆
Stage Scissorhands Is Slick And Sharp

Stage Scissorhands Is Slick And Sharp

A visual feast from Matthew Bourne. | By Sam Smith ★★★★☆
Fiery Footwork, Flashy Fingers: Akram Khan And Israel Galván

Fiery Footwork, Flashy Fingers: Akram Khan And Israel Galván

Two masters blend kathak and flamenco. | By Lise Smith ★★★☆☆
Twist And Pout: Rambert Dance Company At Sadler's Wells

Twist And Pout: Rambert Dance Company At Sadler's Wells

A postmodern programme of works inspired by the spirit of the 1960s. | By Lise Smith
Matthew Bourne’s Swan Lake Rocks Sadler’s Wells

Matthew Bourne’s Swan Lake Rocks Sadler’s Wells

The 1995 production that has been going strong ever since. | By Sam Smith
Musical Choreography By Mark Morris Dance Group

Musical Choreography By Mark Morris Dance Group

Three dance works in Mark Morris's uniquely musical style. | By Laura Dodge
A Shakespearean Ballet Farce

A Shakespearean Ballet Farce

The Taming of the Shrew is all slapstick humour in John Cranko's ballet. | By Laura Dodge
Chinese-British Collaboration Through Dance At Sadler's Wells

Chinese-British Collaboration Through Dance At Sadler's Wells

Like haute cuisine - a five course taster menu showcasing two exquisite dancers. | By Laura Dodge
Dance Review: Birmingham Royal Ballet, Triple Bill @ Sadler's Wells

Dance Review: Birmingham Royal Ballet, Triple Bill @ Sadler's Wells

An inventive triple bill of works by David Bintley. | By Lise Smith
Let's Go To The (Cedar) Lake At Sadler's Wells

Let's Go To The (Cedar) Lake At Sadler's Wells

Talented dancers of Cedar Lake Contemporary Ballet in three diverse works. | By Laura Dodge
Political Mother Storms The Stage With A Choreographer's Cut

Political Mother Storms The Stage With A Choreographer's Cut

Hofesh Shechter is back at Sadler's Wells with his galvanising dance-rock. | By Londonist
Forsythe Company At Sadler's Wells: Whooshing Vocals and Rippling Spines

Forsythe Company At Sadler's Wells: Whooshing Vocals and Rippling Spines

Forsythe's inimitable movement style lacks punch in this double bill. | By Laura Dodge
Dance Review: Sylvie Guillem, 6,000 Miles Away @ Sadler's Wells

Dance Review: Sylvie Guillem, 6,000 Miles Away @ Sadler's Wells

One of the world's greatest dancers makes a triumphant return to Sadler's Wells with this provocative triple bill. | By Lise Smith
The Great Gatsby Ballet: Heartache, Beautiful Choreography And 1920s Glamour

The Great Gatsby Ballet: Heartache, Beautiful Choreography And 1920s Glamour

A difficult-to-follow storyline but gorgeous dancing, music and designs. | By Laura Dodge
Hofesh Shechter Company At Sadler's Wells: Visceral, Raw And Animalistic

Hofesh Shechter Company At Sadler's Wells: Visceral, Raw And Animalistic

An incredible movement style, but low lighting and excessive volume make it hard to appreciate. | By Laura Dodge
Romeo And Juliet At Sadler's Wells: Canadian Ballet Returns to London

Romeo And Juliet At Sadler's Wells: Canadian Ballet Returns to London

A fresh ballet version of Shakespeare's star-crossed lovers. | By Laura Dodge

Gala Flamenca At Sadler's Wells: Nureyevs Of The Flamenco World

Traditional and contemporary dancing concludes the Flamenco Festival. | By Laura Dodge
Review: BalletBoyz The Talent @ Sadler's Wells

Review: BalletBoyz The Talent @ Sadler's Wells

The next generation of Michael Nunn and William Trevitt's BalletBoyz impress in this all-male double bill. | By Lise Smith
Dance Review: Vollmond @ Sadler’s Wells

Dance Review: Vollmond @ Sadler’s Wells

It's raining, it's pouring, Pina Bausch's beautifully damp piece is anything but boring. | By Lise Smith
Dance Review: Sasha Waltz And Guests, Continu @ Sadler's Wells

Dance Review: Sasha Waltz And Guests, Continu @ Sadler's Wells

Striking, sculptural Tanztheater from German choreographer Sasha Waltz. | By Lise Smith
Dance Review: Danza Contemporánea de Cuba, Mixed Bill @ Sadler’s Wells

Dance Review: Danza Contemporánea de Cuba, Mixed Bill @ Sadler’s Wells

DCC celebrates both modern dance technique and Cuban flavours, with mixed results | By Lise Smith
Dance Review: Snow White by Ballet Preljocaj @ Sadler’s Wells

Dance Review: Snow White by Ballet Preljocaj @ Sadler’s Wells

As far from that Disney film version as its possible to get | By Londonist
Dance Review: NDT2 Mixed Bill @ Sadler's Wells

Dance Review: NDT2 Mixed Bill @ Sadler's Wells

A masterful mixed bill by the young dance company | By Lise Smith
Dance Review: TeZukA @ Sadler's Wells

Dance Review: TeZukA @ Sadler's Wells

Anime brought to life through dance at Sadlers Wells | By Londonist
Dance Review: Afterlight @ Sadler's Wells

Dance Review: Afterlight @ Sadler's Wells

In the familiar tale of simplicity ruling the day, Afterlight goes one step further and conquers it. | By Londonist
Dance Review: Jasmin Vardimon's 7734 @ Sadler's Wells

Dance Review: Jasmin Vardimon's 7734 @ Sadler's Wells

By Londonist
Dance Review: Political Mother @ Sadler's Wells

Dance Review: Political Mother @ Sadler's Wells

By Franco Milazzo