Music and dance evoke South Africa.
Earthy tragicomedy from mistress of the brilliantly bleak.
Witty, joyful, sometimes plain daft dance.
English National Ballet excels in three contemporary works.
A visual feast from Matthew Bourne.
Two masters blend kathak and flamenco.
A postmodern programme of works inspired by the spirit of the 1960s.
The 1995 production that has been going strong ever since.
Three dance works in Mark Morris's uniquely musical style.
The Taming of the Shrew is all slapstick humour in John Cranko's ballet.
Like haute cuisine - a five course taster menu showcasing two exquisite dancers.
An inventive triple bill of works by David Bintley.
Talented dancers of Cedar Lake Contemporary Ballet in three diverse works.
Hofesh Shechter is back at Sadler's Wells with his galvanising dance-rock.
Forsythe's inimitable movement style lacks punch in this double bill.
One of the world's greatest dancers makes a triumphant return to Sadler's Wells with this provocative triple bill.
A difficult-to-follow storyline but gorgeous dancing, music and designs.
An incredible movement style, but low lighting and excessive volume make it hard to appreciate.
A fresh ballet version of Shakespeare's star-crossed lovers.
Traditional and contemporary dancing concludes the Flamenco Festival.
The next generation of Michael Nunn and William Trevitt's BalletBoyz impress in this all-male double bill.
It's raining, it's pouring, Pina Bausch's beautifully damp piece is anything but boring.
Striking, sculptural Tanztheater from German choreographer Sasha Waltz.
DCC celebrates both modern dance technique and Cuban flavours, with mixed results
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