A cup and saucer and a saucepan are two of the most humble objects on display in this exhibition, but with a little context they become powerful forces for change. The aforementioned crockery was part of the fight for gender equality and pots and pans were used to drive out four Argentinian presidents in three days.
This information-packed display is all about how objects have been used to foment change, from the trusted placard with a message for political change to a leaflet highlighting the behind the scenes of large corporations such as McDonald’s.
There are items which grab the attention more readily as well, such as papier mache puppets protesting about elitism in the arts and Gorilla masks used to highlight how women artists are not as well represented as men in the major UK galleries.
This exhibition also looks at the evolution of protest in web based campaigns and how propaganda can be turned on its head — the famous deck of cards with Saddam and his lieutenants was subverted when an opposing deck was created featuring the heads of the UK and US governments.
By focussing largely on relatively modern protests, this exhibition also makes the point that protests continue apace throughout the world and recent instances such as the Occupy movement and the Egyptian protests in Tahrir Square show that people still find it one of the most effective methods for fostering socio-political change.
This exhibition never takes sides and the use of objects, music and speeches makes it a thoughtful look into how simple objects and statements can become powerful symbols for change.
Disobedient Objects is on at The Porter Gallery, V&A until 1 February. Admission is free.