Much Ado About Nothing @ Wyndhams Theatre: How To Get Tickets

David Tennant and Catherine Tate in Much Ado About Nothing / photo by Johan Persson

Tickets for Much Ado About Nothing were cleared out of Wyndhams Theatre’s box office almost as soon as they went on sale, the thought of David Tennant and Catherine Tate as warring lovers Benedick and Beatrice too much to resist. Now the play is on stage you might be regretting that you weren’t swift enough − but never fear! There is still a way.

Each day Wyndhams holds a lottery: 20 best seats are offered at a knock-down price of £10 on the day of each performance. But, unlike at the National Theatre, you can’t get a ticket for a mate − it’s one entry into the draw per person in the queue. And this being a lottery, even if you get all your friends in line for 10am, like the West End Whingers you might not all get tickets. You might even get none. But, unlike the National Theatre, at least you won’t have been queueing since 6am − entry into the draw is from 10am and tickets are allocated at 10.30am.

If the lottery doesn’t work out you can always try returns (although: good luck with that) and standing tickets at £16, but we have to say the standing view from the back of the balcony is very poor. Getting tickets seems like a lot of faff so we also have to ask − is the play worth it?

Er. Well. That depends on what you’re after.

David Tennant and Catherine Tate are, as all reviews agree upon, excellent as Benedick and Beatrice. They’re sparky and funny and the whole play has been built around them. Let’s say that again: the whole play has been built around them. This is a star vehicle, it’s the Tennant and Tate Show, to the extent that the rest of the play feels ignored (a good production of Much Ado needs to tackle the problems of: why should we care if idiot Claudio gets to marry drippy Hero? And why does anyone ever listen to Don John, Shakespeare’s most pathetic villain?). The rest of the ensemble seem resigned to carrying on their dialogue while T&T slapstick it up behind them, the speeches drowned out by audience laughter.

This is not necessarily a bad thing. If what you want is to see two massive TV stars do what they do best just metres away from you, this is the perfect play. And Tennant and Tate are genuinely fantastic. If, on the other hand, you want to see a performance of William Shakespeare’s Much Ado About Nothing, it’s on at the Globe Theatre and standing tickets only cost a fiver.

Much Ado About Nothing starring David Tennant and Catherine Tate is on at Wyndhams Theatre until 3 September, Mon-Sat 7.30pm and matinee Sat 2.30pm, tickets £10 lottery, £16 standing. Much Ado About Nothing is also on at the Globe Theatre until 1 October, various dates and times, £5 – £37.50.

  • http://twitter.com/johnnyfoxlondon JohnnyFox

    If you just want to see the stars close-up, hang round the back of the theatre outside Cafe Koha at 10.15pm or 5.15pm on matinee days, the stage door staff are very efficient in lining the punters up for autographs and don’t care whether you saw the show or not.

  • Helen

    Harsh. It’s a funny, authentic, boisterous Much Ado, one which the purists are snotty about because god forbid a COMEDY by St Holy Shakespeare be FUNNY.

    I can hear them now. “And its got people off the telly in it. Next it’ll be people from Britain’s Got Talent. Theatre in this country might as well be produced by ITV” etc.

    I am going to see the Globe production soon which will no doubt be a very different interpretation of the play, but I’m not expecting to laugh even a quarter as much as I did at this.

  • Helen

    Harsh. It’s a funny, authentic, boisterous Much Ado, one which the purists are snotty about because god forbid a COMEDY by St Holy Shakespeare be FUNNY.

    I can hear them now. “And its got people off the telly in it. Next it’ll be people from Britain’s Got Talent. Theatre in this country might as well be produced by ITV” etc.

    I am going to see the Globe production soon which will no doubt be a very different interpretation of the play, but I’m not expecting to laugh even a quarter as much as I did at this.

    • http://twitter.com/bagelmouse Rachel H

      Believe me I’m no purist and I went happy in the knowledge that I was there to see Tennant and Tate. But, having seen Tennant in Hamlet and watched Tate act him off the screen in Doctor Who, I thought the production was… lazy. They barely got to show off their range – and when they did, in the performance I saw when Beatrice engaged Benedick to duel Claudio (in other words, send him off to possibly be killed mere moments after they’ve admitted they love one another) a hefty segment of the audience laughed. And that’s not the audience’s fault – you can’t have such an enormous tonal shift and expect to carry it off.

      Like I said – T&T were hilarious in the funny bits. The rest of it was poor. Like the creative team knew people would turn up anyway and just concentrated on putting together some crowd pleasing set pieces. Which might be fair enough but when you’re paying up to £60 for a seat you expect something a bit more rounded. The couple next to me were also disappointed and two of the biggest David Tennant fans I know felt the same.

    • http://twitter.com/bagelmouse Rachel H

      Believe me I’m no purist and I went happy in the knowledge that I was there to see Tennant and Tate. But, having seen Tennant in Hamlet and watched Tate act him off the screen in Doctor Who, I thought the production was… lazy. They barely got to show off their range – and when they did, in the performance I saw when Beatrice engaged Benedick to duel Claudio (in other words, send him off to possibly be killed mere moments after they’ve admitted they love one another) a hefty segment of the audience laughed. And that’s not the audience’s fault – you can’t have such an enormous tonal shift and expect to carry it off.

      Like I said – T&T were hilarious in the funny bits. The rest of it was poor. Like the creative team knew people would turn up anyway and just concentrated on putting together some crowd pleasing set pieces. Which might be fair enough but when you’re paying up to £60 for a seat you expect something a bit more rounded. The couple next to me were also disappointed and two of the biggest David Tennant fans I know felt the same.

  • Barbara

    I loved the production and I’ve seen many Much Ados, I don’t agree that starring actors who happen to have been on TV lessens a production. The actor playing Don Pedro is the best I’ve ever seen. I felt Rourke did more to work on making sense of the dynamics of Claudio and Hero’s relationship and why Don John’s plot was able to work (the hen party and the chapel scenes) than the Globe version.

    I find it odd you criticize the play yet write that it was an instant sell-out, which is untrue. I bought tickets from the theatre’s own website last week and only about a quarter of the dates had sold out. Almost all the dates in August still had lots of seats available. In fact I checked the website a few minutes ago and they still had unsold stalls tickets for several nights this week.

    • http://twitter.com/bagelmouse Rachel H

      The Delfont Mackintosh website is showing zero or limited (and even then, unclickable) availability for me…

  • Barbara

    I loved the production and I’ve seen many Much Ados, I don’t agree that starring actors who happen to have been on TV lessens a production. The actor playing Don Pedro is the best I’ve ever seen. I felt Rourke did more to work on making sense of the dynamics of Claudio and Hero’s relationship and why Don John’s plot was able to work (the hen party and the chapel scenes) than the Globe version.

    I find it odd you criticize the play yet write that it was an instant sell-out, which is untrue. I bought tickets from the theatre’s own website last week and only about a quarter of the dates had sold out. Almost all the dates in August still had lots of seats available. In fact I checked the website a few minutes ago and they still had unsold stalls tickets for several nights this week.

  • Barbara

    I loved the production and I’ve seen many Much Ados, I don’t agree that starring actors who happen to have been on TV lessens a production. The actor playing Don Pedro is the best I’ve ever seen. I felt Rourke did more to work on making sense of the dynamics of Claudio and Hero’s relationship and why Don John’s plot was able to work (the hen party and the chapel scenes) than the Globe version.

    I find it odd you criticize the play yet write that it was an instant sell-out, which is untrue. I bought tickets from the theatre’s own website last week and only about a quarter of the dates had sold out. Almost all the dates in August still had lots of seats available. In fact I checked the website a few minutes ago and they still had unsold stalls tickets for several nights this week.

  • Jaclyn

    I got a ticket in the lottery on thursday morning. There were only about 30 of us there, so the odds are pretty good.

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  • Londontheatrefan

    I played this lottery twice – once in previews (the odds were amazing) and once in the final week (about 200 people!) and didn’t win either time :( I have had more luck with the legally blonde lottery, which I found out about on a website http://www.cheaptheatretickets.com which also has information about Day seats which require a little more standing up but at least you don’t have to battle the odds!!