by Mark Cowper
July's lethal fire at a Camberwell block has shined the spotlight back on Britain's uncomfortable relationship with high-density tower block living. Yet Cowper's photographs ignore the alarmist headlines and peer uncritically into the individuality that lies behind grey concrete conformity. As a typology of our culturally and ethnically blended city, it is a fascinating study of how people can bend near-identical spaces to their own whim. Roland Barthes could probably spin a slim volume out of the aesthetics of the light fixtures alone, none of which are the same in any one photograph — despite this originally being a council block — and a testament to how far people will shape their home environment. Cultural assumptions are inverted: we spy an architect living in a dreary room furnished by Ikea's finest, a German IT consultant with a flat apparently styled by Wallpaper magazine, and in contrast, the cold loneliness of the unoccupied premises.
Photographs of high-rise interiors inevitably hark back to Richard Billinghman, whose searingly candid family snaps typified for many the worst of council block living. Yet Cowper is interested in the opposite; the placid ordinaryness, the delicate intimacy and personality given to such equal spatial dimensions. Is it too much to hope that high-rise refuseniks in town planning be taken to see this show before it closes?
Ethelburga Tower is on at the Geffrye Museum, Kingsland Road, E2 8EA, until August 31st. Entry is free.