Raunchy songs, shrewd puppetry and audacious humour.
Lenny Henry brings some much-needed humour to an epic production.
Phew, what a play.
A promising debut from Bim Adewunmi.
Mad? Yes. Talented? Not so much.
A rich brew of eccentric, colourful characters in the rarely revived drama.
This new take on Shakespeare is a joy to experience.
Original, and utterly devastating.
This is no ordinary bar.
Visually striking but narratively unconvincing.
Guilt, secrets and traumatic events.
Kelsey Grammer is left with nothing but bluster, clumsy physical comedy and flat aphorisms.
Psychosexual game-playing with a savagely primal edge.
A slice of life set to the music of the eighties is hard to resist.
They're messing with the wrong play here.
Money talks - to the detriment of the production.
Josie Rourke’s swansong makes for an unconventional production.
Anton Chekhov’s classic tragicomedy is given a fresh approach
Like toast itself, it’s comfort eating but not quite sustenance enough for an entire evening.
Less escapism, more realism.
Intense, haunting and haunted.
Tony Benn's diaries translated into a one-act monologue.
Understand the torment of being a 13 and 3/4 year-old intellectual... through song!
Part revue, part catwalk show, all directed by the fashion designer.
Londonist
Something wrong with this article? Let us know here.