A cycling play which freewheels to victory.
A sharp and incisive piece on how discrimination affects disabled people.
It seems to have escaped almost everyone involved that it was intended as a satire.
Brave, deeply human heroines connect with Chekhov’s original characters in a world just as doomed.
An entertaining, heartwarming show.
Lacking the stylish way of the original.
A memorable portrayal of the infamous villain.
Exploring femininity and power in the Elizabethan age.
You can't go far wrong with this Christmas classic.
A cool dissection of class and gender power structures.
More like a gig, karaoke or stand-up show than a play.
A grittily naturalistic depiction of people struggling with poverty and neglect.
Protagonists duel with words rather than weapons in this radical reinterpretation.
Ebenezer's sister picks up the story.
The theatrical equivalent of a hot bath, a hearty stew and a Hobnob.
Excellent on-stage antics at Pleasance Theatre.
Even a cast led by Gwen Taylor can't bring this dated show back to life.
You are what you wear.
Corrupt leaders and heroes exposed in swinging Vienna.
Like stand-up comedy, without the jokes.
Nobody comes out of this thin theatrical soup with much credit.
Fitzgerald's classic goes immersive.
Snowmen, Sleeping Beauties and Nutcrackers.
Aaron Sorkin takes the Pulitzer prize-winning novel to the London stage.
Londonist
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