Second star to the right, and straight on to Shepherd’s Bush.
An intensely languid but problematic late Williams.
A hypnotic feat of muscular contortion.
Even that technicolor coat struggles to shift attention from Sheridan Smith.
Quite simply, a joy.
1990s romance novel comes to the stage.
20 short scenes create a disturbing portrait of European unity under threat.
Director Matthew Warchus adds his own twist.
Manipulative movie moguls in the spotlight.
Thinly-spread drama leaves us a little dry.
Shakespeare collides with Cirque de Soleil and a Pride parade in a melee of sequin-spangled silliness.
A timeworn stargazer who is not all he seems.
Tennessee Williams' 'memory play' at its finest.
The Open Air Theatre is put to good use.
Roger Allam stars in the story of a North-East family in crisis mode.
Raunchy songs, shrewd puppetry and audacious humour.
Lenny Henry brings some much-needed humour to an epic production.
A promising debut from Bim Adewunmi.
Welcome to the hidden microphone-laden East Germany of 1968.
A rich brew of eccentric, colourful characters in the rarely revived drama.
This new take on Shakespeare is a joy to experience.
Original, and utterly devastating.
Visually striking but narratively unconvincing.
Guilt, secrets and traumatic events.
Londonist
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