1990s romance novel comes to the stage.
A look back in unfocused anger.
Some incredible vocal performances here.
A notch above other fringe gay dramas shown in London recently.
In vitro, veritas
Kelsey Grammer is left with nothing but bluster, clumsy physical comedy and flat aphorisms.
Home. Truths.
Josie Rourke’s swansong makes for an unconventional production.
Subjunctives and everything. Masterly.
Like toast itself, it’s comfort eating but not quite sustenance enough for an entire evening.
TRADITION.
A gentle, charming one-man play.
At last, Rufus Norris’s National Theatre has come of age.
It's all white on the night.
Not everything has to be high drama.
Brits might never have seen this play were it not for Sean Connery.
A play from 1985 that feels especially pertinent today.
With some political undertones
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