Londonist

Eurostar trains have been running between London St Pancras and mainland Europe since 2007 (and before that, from Waterloo to the continent since 1994). But there could be plenty of changes to those services in the next few years...

When is Eurostar getting double-decker trains?

Image: ©ALSTOM SA ©SPEEDINNOV SAS 2025. Advanced & Creative Design | Avelia Horizon™.

Aside from new routes (details below), the biggest change coming to Eurostar in the next few years is the addition of double-decker trains.

It was announced in autumn 2025 that Eurostar had ordered 30 of the new trains, known as 'Celestia', with the potential for a further 20 to be added to its fleet at a later date. Each all-electric train is 200 metres long with 540 seats, which means that in its usual 400-metre formation, each Eurostar service will have around 1,080 seats — around a 20% increase on the capacity of current Eurostar services.

They'll be the first double-decker trains to operate through the Channel Tunnel — though not the first on UK rails: double-decker trains were in operation between Charing Cross and Dartford from 1949.

Expect to see the double-decker trains in service from May 2031 — though as we've seen with the new Piccadilly line and DLR trains, and other transport infrastructure projects, these things have a habit of being delayed. Once in service, they're expected to serve all Eurorstar destinations, bringing the company's total fleet up to 67 trains.

Which new Eurostar routes are opening, and when?

Paris is one of Eurostar's destinations direct from London. Image: Alejandro Aznar, Pexels License

At time of writing, Eurostar operates direct trains from London St Pancras to Paris, Lille, Brussels, Rotterdam and Amsterdam, with connecting Eurostar services available to Antwerp, Dusseldorf and Dortmund. Previous direct routes to Lyon, Marseille and Avignon have been dropped due to a lack of demand in recent years.

Of course, once you've reached any of these stations in mainland Europe, connections to train services operated by other carriers are available, to destinations including Strasbourg, Zurich and Nice. An additional Eurostar ski service to certain mountain resorts runs in the winter months, though it's been pared back in recent years. See the Eurostar route map for current available routes.

More direct routes from London St Pancras will soon be added to Eurostar's offerings:

Eurostar services from London to Antwerp: From December 2026

Starting from 13 December 2026, direct Eurostar trains will run between London and Antwerp, taking around two hours 41 minutes: compared with the 3.5 hours the journey currently takes when involving a change of train at Brussels.

There's a big caveat here: Though trains from London-Antwerp will run direct, services in the opposite direction are not able to run direct, due to a border quirk. Antwerpen-Centraal station has no UK border service, so passengers travelling to London from Antwerp have to change at Brussels to go through border checks there instead. There are no plans for this to change in the near future.

Tickets for this route in both directions are now available on the Eurostar website.

Eurostar services from London to Frankfurt: early 2030s

In summer 2025, Eurostar announced a new direct route between London and Frankfurt, the first time it has offered a direct route to Germany. No further details have been confirmed yet, so we don't know if these services will stop anywhere else along the route, though the journey is expected to take around five hours. A projected launch date of the early-2030s has been given, coinciding with new Celestia trains (above) joining the network.

Eurostar services from London to Switzerland (Geneva and Zurich): 2030s

London-Geneva by direct train? Yes please! Image: christine roy, Pexels License

At the same time as the Frankfurt route was announced, Eurostar dangled plans for a direct route between London and Geneva in Switzerland too. Direct links between London and Zurich, and London and Basel, have also been touted as future possibilities. London-Basel is expected to have a journey time of about five hours; London-Geneva around five and a half hours; and London-Zurich around six hours, though nothing has yet been confirmed.

As of May 2026, SBB, the Swiss national railway operator, SNCF Voyageurs, the French passenger rail operator, and Eurostar are all working together to make the London-Switzerland link happen. Eurostar said of these routes: "Implementation would be feasible at the earliest sometime in the course of the 2030s."

Will the closed Eurostar stations reopen?

International in name only. Image: Richard Humphrey, Creative Commons

St Pancras (and Waterloo before that) wasn't always the only option for getting a train from the UK to mainland Europe. Eurostar used to operate from Ebbsfleet International and Ashford International stations in Kent too, though they closed in 2020 due to the pandemic. There was talk of them reopening in 2022, but as of summer 2026, no moves to do so have been made (though both stations still offer a domestic train service). The cost of reinstating international border checks at these stations has been cited as a reason for keeping them closed.

Then there's Stratford International which, despite its name, has never had an international train service. Initially, Eurostar trains were due to stop there when the Eurostar terminus moved from Waterloo to St Pancras in 2007, but it never happened, and to this day, trains on the St Pancras route simply whizz straight through its platforms.

When will Virgin Trains start running between London and Europe?

Previously a UK train operator, Virgin Trains looks set to go international. Image: The Carlisle Kid, Creative Commons

In August 2026, Virgin Trains made headlines when it was granted access to use the UK tracks to start operating rival routes to Eurostar between London and mainland Europe.

However, at the moment Virgin Trains has only got approval for routes running from St Pancras to the entrance to the Channel Tunnel — it still needs the appropriate permissions to run in mainland Europe, as well as to use the Tunnel itself. If all goes to plan, we should see Virgin Trains plying the route by 2030: the agreement which allows it to use existing UK rail infrastructure is valid for the period between 1 October 2030 and 31 December 2040.

Where will Virgin Trains' channel routes go?

Virgin Trains proposes to operate 20 daily return services between London St Pancras and Paris, Brussels and Amsterdam to begin with. Could it expand if all goes well? No further plans have been revealed yet, but who knows.

Will Virgin Trains replace Eurostar?

No, Virgin Trains will be a competitor to Eurostar — an interesting twist in the story of cross-channel train services, as Eurostar has held the monopoly on passenger services from London since the Channel Tunnel opened in 1994.

What exactly that means for passengers remains to be seen, but we can only hope that the competition leads to lower fares as the different operators vie for passengers. And Richard Branson isn't the only one hoping to muscle in on the route...

Why are these changes happening now?

Eurostar trains at Temple Mills depot. Image: Robert Lamb, Creative Commons

After 30 years with Eurostar as the sole operator, why are other companies suddenly talking about running passenger services through the Channel Tunnel?

It all centres around the Temple Mills depot, a train maintenance depot in Leyton which is the only one in Britain able to handle cross-channel trains (specifically, it's the only one able to accommodate trains with the larger continental European loading gauge). Capacity at the depot is limited, and with Eurostar looking to expand its own fleet significantly, there isn't all that much space for other operators to base their trains there.

In March 2025, the ORR (Office of Rail and Road — the UK rail regulator) agreed that extra capacity at the depot could be made available. In October 2025, it granted Virgin Trains the appropriate permissions to access Temple Mills. This was a huge step forward in Virgin Trains' attempts at running cross-channel services, but it's still not a done deal.

Will any other operators run train services to mainland Europe?

Image: Christian Lue, Unsplash License

With Virgin Trains looking increasingly likely to get a share in the route, could other operators get involved too?

Currently, around 400 trains — both Eurostar passenger trains and Le Shuttle vehicle trains operating from Folkestone — use the Channel Tunnel each day, though it has capacity for around 1000 trains daily, so the potential for expansion is there. The capacity issues don't lie on the route itself, but with the Temple Mills depot, as mentioned above. So while it's not a hard 'no' to other operators plying the cross-channel route, it's logistically complex. That hasn't stopped a few companies from putting plans forward.

Trenitalia France — a subsidiary of Italy's state-run transport operator — said in April 2025 that it wants to run a high-speed service between London and Paris, and hopes to begin operating 10 daily return journeys on the route in 2029. In August 2026 it ordered 19 new high-speed trains, some of which it intends to use on the cross-channel route. It appears to be circumventing the capacity issue with plans to build its own depot near Paris, removing the need for it to use Temple Mills.

Image: train_photos, Creative Commons

In August 2026, Transport Scotland announced that it's looking into the possibility of running direct Caledonian Sleeper services between Scotland (most likely either Glasgow or Edinburgh) and mainland Europe, via the Channel Tunnel. Further details, such as the specific route, haven't yet been announced, but a feasibility study is being undertaken — though a similar idea, the Nightstar, failed in the 1990s. Presumably such services would be based in Scotland so wouldn't need to trouble the Temple Mills depot.

Dutch company Heuro and Spanish operator Evolyn have also expressed an interest in running services on the St Pancras route. When the ORR approved plans by Virgin Trains to use the Temple Mills depot in October 2025, it rejected applications from Evolyn, Gemini and Trenitalia. While Trenitalia is persevering with plans, it's all gone quiet from Evolyn and Heuro.

Image: Dan Wright, Pexels License

Gemini Trains, a new potential train operator, was created solely with the intention of offering cross-channel services, initially between the UK, France and Belgium, with the potential to expand to other destinations at a later date. Interestingly, Gemini proposes to use Stratford International rather than St Pancras, and may end up building its own train depot in Ashford (Kent), potentially bringing Ashford International back into use, and bypassing the need to use the Temple Mills depot.

TL;DR: the possibility of other operators running cross-channel routes in future hasn't been ruled out, but they'd likely have to provide their own alternative to basing their fleet at Temple Mills, as there isn't space for them there. Additionally, if any operator wanted to run trains from the mothballed Stratford International, Ebbsfleet International or Ashford International stations, they'd likely to have to come up with the funding for the border infrastructure themselves.

As recent Eurostar passengers, we'd also argue that the departures lounge at St Pancras could do with a bit of expansion before any more services depart from there, but given the station's footprint, there's not anywhere for it to expand to without removing some of the shops from St Pancras station.

Ghosts In The Gardens: Five Scary Stories From Kew

Jonathan S. Farley — Fri, 21 Aug 2026 11:27:00 +0100

Drawing on 25 years of insider knowledge at Kew Gardens, Jonathan S. Farley has gathered chilling firsthand accounts of ghostly goings on from staff, visitors and the archive collection, to write his book Ghosts, Myths and Oddities of the Royal Botanic Gardens, Kew.

Here, we share five spine-chilling tales.

Kew Gardens. Or should that be Boo! Gardens. Image: a.canvas.of.light via creative commons

The Runaway Carriage

In the mid-1800s, an unsettling haunting was a frequent occurrence at Kew, captivating locals and staff alike. A phantom carriage was seen and heard on several occasions, a spectral replay of a long-ago tragedy. The vehicle was a 'High Flyer Phaeton', a notoriously unstable and lightweight carriage popular during the Regency era. Witnesses described the terrifying scene with consistent detail. The ghostly vehicle would appear, thundering down the path with a terrifying speed, seemingly out of control. The horse appeared to have bolted, its spectral form galloping furiously, while the driver desperately struggled to regain command. A female passenger could be heard screaming for assistance, her cries of panic echoing across the grounds. At a certain point, near the area of what is now the Wilderness, the entire scene would simply vanish, and the sound of the carriage, the horse's hooves and the woman’s desperate screams would fade away into silence.The haunting came to an abrupt end in the late 19th century. According to local folklore, during the laying out of the Royal Mid-Surrey Golf Course in the 1890s, a team of workers reportedly discovered a broken carriage wheel buried in the ground. Since that time, the phantom carriage has never been seen or heard again. It is believed that the discovery of the lost wheel allowed the trapped spirits of the driver and passenger to finally find peace, ending their perpetual reenactment of the fatal accident.

The Foggy Day Ghost

When a thick, still fog settles over Kew Gardens, visitors walking the Broad Walk may experience a peculiar and unsettling sound. From within the dense, grey silence, the unmistakable drone of a single-engine aeroplane with a rough-sounding motor can be heard. The sound seems to come from very low, as if the plane is just above the treetops. However, as the noise reaches its peak and the engine appears to be directly overhead, it abruptly cuts out, and silence returns. This eerie phenomenon is believed to be the phantom echo of a tragic aviation accident. While historical records are sparse, several small planes crashed in the area during the early days of aviation when the airspace around London was less regulated. The ghost plane's appearance is always tied to the conditions of a dense fog, a detail that hints at a pilot being disoriented by the weather. The sudden silence is the most chilling part, representing the final, fatal moment before impact.

The Phantom Hound

Image: The History Press

A ghostly black dog is occasionally seen running along Holly Walk. This apparition is considered to be a classic 'shuck' or 'wisht-hound', a spectral canine from British folklore. Aggressive, and sometimes accompanied by a low growl, its eyes are often described as glowing a fiery red. This behaviour, common to shucks across the UK, is explained by the belief that these animals are guard dogs that do not know they have died. Their loyalty is so profound that their spirits continue their earthly duties, defending a master, a home or a piece of land that is now long gone or fundamentally changed. The Holly Walk dog's ceaseless patrol is a poignant and rather sad reminder of a bygone era, a loyal servant forever on duty in a world that has long forgotten the need for its protection.

These Boots Are Made For Haunting

A phenomenon has been reported over a period of several decades. It involves a pair of men's leather boots, unmistakably Elizabethan in style, reaching just below the knee and weathered as if from years of use. These boots, by all accounts, walk entirely on their own. Witnesses describe the scene with remarkable consistency: the boots appear suddenly at dusk, always walking in the same direction and pacing steadily as if worn by an invisible figure. They don't shuffle or drag but move with the confident rhythm of someone walking with purpose. Their gait is too natural, too precise, to be the result of wind or mechanical trickery. And yet, no body, no shadow, no outline accompanies them, only the boots themselves, striding silently forward before vanishing just as abruptly as they appeared.

The most recent sighting occurred in 2008. The gardens had just closed to the public and two members of staff were walking back to the Herbarium from Museum No. 1, where they had been attending in-house training. As they made their way along the path, they noticed two shapes approaching in the distance. At first, they assumed it was a pair of foxes but as the forms drew closer, they were stunned to see a pair of knee-length boots walking upright, entirely on their own. The boots passed within touching distance, moving with the steady stride of an unseen wearer. When the staff turned to watch them continue down the path, the boots had completely vanished.

The Fairy Mimosa

Image: John Cardamone/Unsplash

One of the more enchanting tales of Kew Gardens involves a benevolent spirit known as the Fairy Mimosa. The story dates back to at least the 1910s, when a child, whose family were not unknown to the director, reportedly became separated from their parents and was lost for several hours, instigating a massive search by Kew's Constabulary. The child was eventually found asleep on a bench near the main gates. When questioned, they recounted a magical story: after crying in distress, they were comforted by the Fairy Mimosa, who lived in a secret home within the Pagoda. The child claimed the fairy served them tea and cakes before they fell asleep, only to wake up on the bench. When taken back to the Pagoda, the child pointed to where the fairy's door had been but it was nowhere to be found. The myth was seemingly reinforced in the 1920s, when the father of the first child (a local vicar) was informed by the director that an almost identical incident had occurred again. A second lost child, with no knowledge of the previous story, was found asleep in the same spot. They too told of being entertained with tea and cakes by the Fairy Mimosa, who lived in a hidden cave under the Pagoda. These charming, parallel accounts have become a cherished part of Kew’s folklore, suggesting a protective, magical presence watching over the gardens' youngest visitors.

Ghosts, Myths and Oddities of the Royal Botanic Gardens, Kew by Jonathan S. Farley, published by the History Press

What's The Average Rent In Each London Borough?

M@ — Fri, 21 Aug 2026 11:00:00 +0100

Click or tap for larger version.

Rent. It keeps going up, doesn't it? Well, not always.

Over the past year, the average rental price has increased in 28 of London's 32 boroughs. Camden, Kensington & Chelsea, Kingston, and Westminster have all got cheaper for renters (on average) since we last looked at the figures in June 2025.

Across the whole of London, rents have gone up 2.2% in one year, and now stand at an average of £2,302 per month (up from £2,252 last year). Looking back to 2016 (a ten year span), this is up from £1,679 per month.

The figures, from the July 2026 release by the Office of National Statistics (ONS), reinforce what everyone already knows: London is an expensive place to live. The most spendy borough of all is, unsurprisingly, the Royal Borough of Kensington & Chelsea, where renters must find an average £3,596 per month (down from £3,616 last year). This is the most expensive place to rent in the UK. Westminster is not far behind, on £3,168 per month.

The cheapest borough, meanwhile, remains Bexley, where the average rent is less than half that of K&C's at £1,528. This is still greater than the national (English) average, which stands at £1,446.

Signs that the market may be cooling in Brent. Image: Matt Brown

It should be noted that these prices are averaged across all property types, from the smallest studio flat to a multi-roomed town house. In K&C, for example, a one-bed flat costs a 'mere' £2,572 a month. Shift over to Bexley, and you can enjoy a one-bed rental at an average price of £1,531 per month.

Now the good news. While rents are continuing to go up in almost all boroughs, the rate is slowing down. The ONS has now recorded drops over seven successive months. Rent is still going up, but not as fast as it was last year.

We'll update this article annually with fresh data.

Below, we've pasted in last-year's picture, using June 2025 data

Click/tap for larger version

Denmark Street Will Rock With Free One-Day Music Festival

Londonist — Thu, 20 Aug 2026 09:15:00 +0100

The free one-day festival is described as "part street party, part open house, and a series of intimate live shows".

It's the street where the NME was founded, Charlie Chaplin co-write 'Smile' and the Sex Pistols lived.

Denmark Street — aka Tin Pan Alley — is swamped in musical history, although of late it's been in the headlines more thanks to rampant redevelopment, and a perceived sterilisation of its former pulsing self.

Denmark Street Sessions is a tonic to all this; the one-day festival on Saturday 5 September 2026 is billed as "part street party, part open house, and a series of intimate live shows" — hosted at instrument stores, bars and venues in and around the central London thoroughfare.

An amuse bouche of this year's line-up:

🎤 A talk from Crispin Weir, owner of Regent Sounds Studios, on why and how Denmark Street became the home of British music.

🎤 Live music sets in various venues, including singer/songwriter Esme White at Regent Sounds; Moon Music Orchestra at Wunjo Guitars; the Roland Store hosting Henri Herbert playing the bones(!); and a closing party at Thirteen LDN from Pink Juice.

🎤 The Pink Juice gig is followed by an afterparty at Thirteen LDN with special guests.

Free music blowouts in this neck of the woods are becoming a bit of a thing: jazz club Ronnie Scott's recently brought back its annual street party on Soho's Frith Street.

Denmark Street Sessions, Saturday 5 September 2026, free

Inside the Bank of England: An Historical Tour Of Its Grand Rooms

M@ — Thu, 20 Aug 2026 09:00:00 +0100

Adapted from a feature that first appeared in August 2025 on Londonist: Time Machine, our much-praised history newsletter. To be the first to read new history features like this, sign up for free here.

Image: Matt Brown

One does not simply walk into the Bank of England.

This titanic treasury is built like a fortress. It stands guard over more than £200 billion worth of gold — enough to run the entire NHS for more than a year. The Bank has other secrets to protect. It oversees payment systems, monitors financial stability, decides interest rates and guards any number of fiscal sensitivities. Its inner sanctums are very much not all over TikTok.

Happily, I’ve been invited in. The Bank’s museum is currently running an exhibition about the building’s architecture, and the curator Jenni Adam is keen to show off the real thing. Even with her generous welcome, I still have to satisfy three different gatekeepers, an ID check and a bag search before I’m allowed past the security gate-line.

I’m in for a treat. The building’s innards are rarely seen by the public. They are an essay in magnificence and embellished solidity — not dissimilar to Gringotts from Harry Potter, though without the ludicrous mine-car ride.

The architectural splendour could, and probably does, fill a book. When faced with such overwhelming riches, it often helps to zoom in on one detail. Five steps beyond the security gates brings me to the perfect candidate:

Image: Bank of England Museum

This spectacular floor mosaic is the work of Boris Anrep (1883-1969), whose handiwork you might have seen inside the entrance to the National Gallery. Anrep laid down this mosaic in the 1930s during the Bank’s reconstruction, along with dozens of other ornamentations.

One might easily stride over the mosaic without giving it a second thought. But it holds a world of symbolism. The two lions and classical column are modelled on those of the Lion Gate in Mycenae, Greece, which also guarded a treasure house.

Beneath the stone plinth, the white trace represents the south coast of England. The single red tessera, easily missed, indicates the location of Cobham in Kent, home of the modern Bank’s architect Sir Herbert Baker. Meanwhile, the top of the mosaic features two constellations: The Plough (Big Dipper) and the Southern Cross. If you use the constellations as a navigator would, then they point not to north and south but directly towards the office of the Governor of the Bank of England. I find that enchanting.

Boris Anrep wasn’t the only mosaicist to leave his mark on the Bank. Someone got there 1900 years before him. Three Roman mosaics have been discovered across the site during various phases of expansion. One of these was removed to the British Museum in the early 19th century where it’s been on permanent display ever since. One is in the Bank’s museum. But the third now forms a focal point at the base of a precipitous stairwell:

The Roman mosaic at the bottom of the stairwell. Image: Matt Brown (one of the few things I *was* allowed to photograph).

These mosaics once adorned a Roman villa on the banks of the now-buried River Walbrook. Those early Londoners could scarcely have imagined that their floor covering would, two millennia later, decorate the foundations of the world’s most famous Bank. Where will your carpet be in AD 4000?

The Bank’s physical evolution is a complicated tale. It was established in 1694, mostly because the government needed a stable source of loans to finance yet another war with France. These were humble beginnings. The early Bank operated out of rented rooms and only got its own site 40 years later when it moved into a purpose-built home on Threadneedle Street in 1734. From this nucleus, the bank expanded to eventually fill the whole block, with additions from architects like George Sampson, Robert Taylor, and especially Sir John Soane. The latter’s plan took decades to reach fruition, and we can get a sense of its scale by looking at its Minotaur-conjuring floor plan:

Note, the image is drawn with north to the left. Image: public domain

Soane was mightily proud of his financial fortress. He even had it depicted as a future ruin, as though to suggest it deserved the same reverence as the great buildings of Roman antiquity.

The Bank of England in imagined ruins, by JF Gandy, 1830.

In a prescient twist, artist JF Gandy depicted the ruined Bank on a rise, with a steep gradient to the lower left. This is exactly the spot where Bank Tube station would be hollowed out many decades later (and itself turned into a crater when a high-explosive bomb scored a direct hit in 1941).

Soane’s Bank was much celebrated, with its soaring halls and walls. Unfortunately, it would only last a century. Despite its gigantic footprint, the Bank was running out of space. Modern, taller offices were needed. And so, from 1925 to 1939, Sir Herbert Baker demolished the bewildering congeries and replaced them with the taller, more rational blocks we see today. In so doing, Soane and Gandy’s vision of the Bank of England lying in ruins was realised:

The Bank of England undergoing demolition in the late 1920s. Soane’s Rotunda can be seen centre-left. Image: Bank of England Museum.

Most of Soane’s work was undone. One exception was the mighty curtain wall, which Baker retained. The Bank of England, then, was a pioneer of ‘facadism’ — the practice of demolishing an interior but keeping the outer walls — which people do so enjoy moaning about today.

Sir Herbert Baker’s rebuild was widely slagged off by the cognoscenti. It still is. Undisputed God of Describing Buildings Sir Nikolaus Pevsner reckoned it “the greatest architectural crime to befall the City of London in the 20th century”. Ian Nairn, the equally lionised if more raffish commentator of the built environment, decried Baker’s “evil superstructure”, and thought its architect should be “indicted".

Bit harsh. A radical redesign had to happen if the Bank were to take on the challenges of the 20th century. Soane’s oldie just didn’t have the floorspace the modern Bank needed. Besides, is the replacement really that bad? I mean, look:

Image: Eluveitie, creative commons licence.

You can pompously argue about proportions and harmony and stuff, but I reckon nine out of every 10 people who look at the building will find it impressive. I still do, and I’ve passed it a thousand times. It can’t be all that bad because Historic England have given the modern Bank a Grade I listing, on par with St Paul’s and the Palace of Westminster.

The real architectural crime which, to be fair, the critics also called out, is not so much the external appearance but what was lost within. Soane’s banking halls and Rotunda were genuine marvels, all chopped down in the name of progress.

Soane’s lost rotunda. Image: public domain

Even then, all was not lost. Some of the banking halls were rebuilt in facsimile, albeit with steel frame. What’s more, you can go see them. The Bank of England Museum, along the site’s eastern edge, nestles within these replica spaces. Though not the original Soaneian articles, these are still eye-popping chambers, and almost a century old themselves.

Inside the Bank of England Museum. That lamp stand isn’t really bent. I used the panorama setting for some reason. Image: Matt Brown

But what of the rest of the Bank — the bits the public can’t normally view? These, too, have a magnificence to them. A series of grand corridors wrap around the inner perimeter, all richly marbled and embellished. Anrep’s mosaics are a constant companion as we make a clockwise circuit. They offer a monetary migration back through the ages. Each successive floor-picture depicts a coin of the realm from a different reign. Henry VIII, I learn, was the first to allow a date in Arabic numerals rather than Roman.

(I’m not allowed to take photographs of these details. Strict rules. Even the official photographer, whose images follow below, operates under restrictions.)

The corridor leads to a grand staircase up to first-floor level. Here, I’m introduced to a sequence of rooms that can only be described as ‘palatial’. These are the famous Parlours, the ornate rooms where the Bank’s most high-profile work takes place. Grandest of all is the Court Room. It’s actually a glorified meeting room where the Court of Directors hold their elevated chinwags.

The Court Room: The Bank of England's governing body, the Court of Directors meets in this room. The original design is by Sir Robert Taylor and dates from 1774. Image: Monica A. Walker Vadillo.

The Court Room is one of the oldest spaces in this temporal gallimaufry. It was originally constructed in 1774 and would look very familiar to banking bigwigs of the Georgian era. During Herbert Baker’s rebuilding in the 1920s-30s, the room was carefully disassembled, then rebuilt a floor higher.

The columns, swags and chandeliers are impressive, but nothing unusual for an 18th century grand room. What is unique is the wind dial (centre top in the image above, and zoomed-in below), connected to a weather vane on the roof:

Image: Monica A. Walker Vadillo (cropped from above)

This feature was installed in 1805 to show the Bank’s Directors which way the wind was blowing. This was no metaphor. In the early 19th century, London was the busiest port in the world, and every ship was powered by the wind. The Bank factored the weather into its monetary policy. If the wind was blowing from the east, then more ships would be making their way along the Thames into London. The docks would soon be flooded with imports, and so the Bank released more money into the economy to take advantage. A westerly wind betokened the opposite course of action. The dial has no practical function today, other than to wear out the wallpaper, but its preservation is a joy for the historically minded.

Behind the dial wall stands the First Floor Committee Room. It’s a beauty:

The First Floor Committee Room. Image: Monica A. Walker Vadillo.

This is the space where the Monetary Policy Committee, chaired by the Governor, make decisions that affect every one of us, not least the setting of interest rates. Discussions in this room are top secret. The entrance is via two sets of doors, which dissuade eavesdroppers. Note also the panelled ‘cabinet’ on the left of the photo. It’s actually a concealed fire escape.

North of the Committee Room stands something more snug. This anteroom is yet another survival from before the 20th century rebuild.

Image: Monica A. Walker Vadillo

Here, my eye is drawn to the paintings of historical London scenes. The one you can see above the fireplace shows the old Stocks Market, on the site of what is now the Mansion House across the road. It’s an image of which I’ve long been fond, and I’ll probably make it the subject of a future ‘Anatomy of a Painting’ article. Wonderful to encounter the original.

Having seen the Parlours, my tour ends. It’s been an unforgettable experience to admire these chambers of fiscal brawn. I’ve only seen a fraction of the building, however. We didn’t pop into the Governor’s office. I was not allowed to set foot in the Garden Court, an old churchyard once connected to St Christopher-le-stocks, which was demolished during one of the Bank’s extensions. Nor could I see the fabled bullion rooms, where all that auric treasure is stored.

There is one final stop on the itinerary, however. Down we go into the bowels; not to see gold bars, but bold guards. We’d been allowed to take photographs in just two locations, and these had to be checked by security. Meanwhile, clocking-off bankers walk past in lycra, for London’s most secure bicycle store is also in the basement.

It’s one of two basements, actually, beneath seven floors of office, ranging over a full block. My final question to my guide is: do you still need all this space?

The answer is yes. The Bank employs over 5,000 people and remains central to the British and world economy. None of this vast building is in mothballs. It will not end up as a Soaneian ruin anytime soon. In an age of digital currencies and virtual meetings, it’s reassuring to see that the Bank of England is as solid as ever. These walls were built to last. (Twice.)

VISIT: The Bank is normally closed to the public (other than a counter for exchanging old banknotes just inside the doors). However, very occasional tours are arranged usually as part of Open House weekend.

MUSEUM: The public can, however, get a splendid taster of the wider banquet by visiting the Bank of England Museum along Bartholomew Lane. (Free, Mon-Fri)

EXHIBITION: Visit the museum in the next few months and you can view the Building the Bank exhibition. This explores the demolition of Soane’s bank and construction of Baker’s replacement. You’ll also be able to see Roman artefacts discovered on site.

Ride On Vintage London Buses For Free This October

Will Noble — Wed, 19 Aug 2026 11:00:00 +0100

All aboard! The London Bus Museum hosts another of its wonderful free heritage bus days in October. Image: © David Bowker

All aboard for free vintage bus rides this October!

London Bus Museum's semi-regular heritage day returns on Saturday 3 October 2026, when buses dating from the 1930s-70s ply a short stretch of the 106 route, pinging between Finsbury Park and Ash Grove Bus Station on Mare Street. Stops along the way are Stoke Newington, Clapton and Hackney Central.

How does it work? Simply show up at one of the bus stops on the route above, between 10am-5pm. Soon enough a vintage bus — most are Routemasters and their predecessor the RT-type, but you never quite know what you might get — will scoop you up.

Some services have a conductor on board too, handing out facsimile tickets. (Just be aware that if you board a modern TfL service on the route that day, you'll need to tap in and pay a fare.)

And the fun doesn't end there. Ash Grove Garage is hosting a 45th anniversary open day, giving you a chance to snoop behind the scenes. There's a small entry fee, with proceeds going to Macmillan Cancer Support.

London Bus Museum Route 106 Heritage Day, Saturday 3 October 2026, approx 10am-5pm, free.

Note that because of the buses' vintage, they're unable to accommodate wheelchairs and most modern buggies, although crews will make every effort to accommodate the less able and those with small children.

Ride On Vintage London Buses For Free This October

Will Noble — Wed, 19 Aug 2026 11:00:00 +0100

All aboard! The London Bus Museum hosts another of its wonderful free heritage bus days in October. Image: © David Bowker

All aboard for free vintage bus rides this October!

Some services have a conductor on board too, handing out facsimile tickets. (Just be aware that if you board a modern TfL service on the route that day, you'll need to tap in and pay a fare.)

London Bus Museum Route 106 Heritage Day, Saturday 3 October 2026, approx 10am-5pm, free.

Visit The Other Dr Johnson's House, In Lichfield

M@ — Wed, 19 Aug 2026 10:00:03 +0100

Image: Matt Brown

The Samuel Johnson Birthplace Museum in Lichfield is exceptional, by any definition.

Londoners will be familiar with Dr Johnson's House, the small museum tucked away in the courtyards north of Fleet Street. It's fun to explore, and contains a few surprises, such as a chunk of the Great Wall of China.

Fans of the wordsmith and dictionary compiler will, however, find a much more rewarding experience at the Samuel Johnson Birthplace Museum, the building in which he was born, and lived for the first few decades of his life. It's not in London, but in the small Staffordshire city of Lichfield. You should visit. Both city and museum are lovely.

Image: Matt Brown

Samuel Johnson first entered this world on 18 September 1709 in an upstairs room of a house in Market Square, Lichfield. We can pinpoint the spot to a few metres, because the museum labels this space as the birth room:

Dr Johnson was born in this room. Obviously, he wasn't a doctor yet. Image: Matt Brown

Johnson would go on to spend much of his first 27 years in this family home (before riding down to London with the actor David Garrick, where both would find enormous fame). This is the building in which he learned to walk and talk, and possibly pen his first words. The infant Johnson probably stuck his head up that fireplace, and smeared snotty fingers on those window panes. He would go on to better things.

The house, built in 1707, is a joy to explore. Five floors of Johnsonian memory, some decorated in fancy Georgian style, others crooked, exposed timber frame. The upper floors look down on the market place, where a statue of Johnson now stands. Young Samuel must have gazed out on this square a million times, never guessing his stone likeness would one day be part of the scene.

Johnson's room now looks down on a statue of the big man. Image: Matt Brown

The museum is itself historic, having opened on the site in 1901. Many of the rooms are restored to Georgian look and feel, and occasionally enlivened with Johnson's own furnishings, including a roomy armchair and one of his writing desks.

The upper floors are charmingly crooked and wattlesome. Image: Matt Brown

Johnson achieved A-list celebrity status in his lifetime, which means many of his personal possessions have been saved. Those on show at the museum include his walking stick, writing desk, teapot, prayer books, cup and saucer, knife and fork… even his shoe buckles.

When a man is tired of looking at Dr Johnson's personal effects, then he is tired of life. Image: Matt Brown

The house also has a fingerable copy of the dictionary, so you can look up rude words and discover if he really did leave out 'sausage', as per the Blackadder episode.

Leafing through Dr Johnson's dictionary (a modern copy). Image: Matt Brown

Speaking of which, that's the one aspect that both the London and Lichfield Johnson houses miss out. Neither one mentions Robbie Coltrane's portrayal of Dr Johnson in the 1980s comedy.

That memorable episode probably did more to re-popularise Dr Johnson and his work than anything from school history or literature classes. The museum should put on a mini-exhibition forthwith — we'll do anything we can to "facilitate their velocitous intramuralisation".

Samuel Johnson Birthplace Museum is free to visit, and can be found in the market place at Lichfield. The fastest trains from Euston take 1 hour 12 mins.

Opening Date Announced For New Restaurant In Former Simpson's Tavern

Laura Reynolds — Tue, 18 Aug 2026 13:18:00 +0100

Joe Haynes, Ben Butterworth and Tom Hurst. Image: Cloth Cornhill

The opening date for the new restaurant taking over the former Simpson's Tavern site in the City has been announced.

Cloth Cornhill will open its doors on 1 October 2026, operated by the same team behind existing Farringdon restaurant Cloth.

After the legendary chophouse Simpson's Tavern* closed suddenly in 2022, the historic building sat empty for three years, before it was announced in late 2025 that the Cloth team had taken over the building.

Since then they've been working to get it open to the public again. Thankfully, the historical features — including wood-panelled walls, bow windows, original tiles, fireplaces, old photos and books, and high-backed wooden seating booths (called boxes) — have been kept, and restored to their former glory, ready to welcome a new generation of diners.

The former Simpson's Tavern building drips with history. Image: Ewan Munro, Creative Commons

The ground floor of Cloth Cornhill will be occupied by a pub, split between the classic standing room-only Amy’s Bar, spilling out into the courtyard, and the adjoining old grill room, with seating for 40. A short bar menu will be available to soak up the beer and cask ales and wine selection available here. The main restaurant spans two dining rooms on the first floor, though two new private dining rooms have been added, one on the ground floor and the other upstairs.

Charles Dickens and William Thackeray are among the famous names known to have dined at Simpson's Tavern, which was one of London's oldest restaurants, having been open since 1757. For legal reasons, the former name cannot be carried over to the new business, so Cloth Cornhill it is.

As for the menu, the Cloth team — Joe Haynes, Ben Butterworth and Tom Hurst — will be serving up "produce-led, modern British cooking" with a new menu centred around the sharing chops and steaks for which Simpson's was known

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Simpson's had a long-held tradition of serving a sausage with every meat dish, regardless of what you'd ordered. Happily, the Cornhill sausage with beer mustard will be resurrected at Cloth Cornhill, created from an old recipe book of Simpson's classics from the 1940s which was discovered during the renovations.

A prix fixe menu, priced at £24 for two courses or £29 for three, will be available at lunchtime Monday-Thursday, with other special offers available on Friday lunchtimes.

Cloth Cornhill opens on 1 October 2026, and will be open for lunch and dinner Monday-Friday. Reservation details will be announced soon. Follow Cloth on Instagram for the latest updates.

*Simpson's Tavern, not to be confused with West End restaurant Simpson's in the Strand which closed in 2020 and auctioned off some its contents in 2023, before finally reopening under restaurateur Jeremy King in March 2026.

"We Built A Spa On A Canal Boat — And Anyone Can Use It"

Riccardo Codacci-Pisanelli — Tue, 18 Aug 2026 08:50:53 +0100

Chef and former restaurant owner Riccardo Codacci-Pisanelli explains how — along with architect Leo Sixsmith — he repurposed a widebeam canal boat into the floating spa, SOAK.

An old widebeam canal boat has a new lease of life as a floating spa. Image: © Illias Teirlinck

The idea originally came during a difficult period in my life, which led to me going to the Community Sauna Baths in Hackney Wick and then travelling around the UK trying different saunas.

I fell in love with all of it, but mainly the social element. Some of the saunas we loved most were beside the sea, lakes or rivers, and — whilst having dinner on Leo's canal boat — we started wondering whether London's waterways could give us that same feeling right in the middle of the city.

Image: © Kaye Song

"You stay connected to the canal outside"

We wanted to avoid simply recreating the Scandinavian aesthetic people might expect from a sauna, and instead make something that felt more connected to London's waterways and the industrial character of the boat itself.

Leo and his architectural firm badweather brought their approach of taking quite ordinary, robust materials — aluminium, exposed pipework, threaded rod and marine ply — using them very precisely, while the warmer timber and huge porthole windows soften everything and keep you connected to the canal outside.

Image: © Kaye Song

Pretty much everything becomes harder on a boat. On land you take electricity, water, drainage and waste systems for granted, whereas we had to fit all of that into a 56-foot boat and make it work completely off-grid, alongside a very hot sauna, cold plunges and showers — all without compromising the design or experience.

Also nothing is square or equal, so every millimetre had to be reckoned with. There were plenty of moments when we wondered whether we'd taken on too many constraints at once. One of our biggest challenges was (and is) our energy supply. We're still tweaking our setup, balancing cold plunge temperatures Vs daylight hours, sun Vs solar panel angles, etc. We're taking the graphs from our battery software and the plunge chillers and asking AI to help us configure things as efficiently as possible. We've had lots of sun lately, but it has also been seriously warm, so our plunge chillers have been drawing a crazy amount of energy. That said, it's satisfying to plunge in water that has been cooled by the sun…

Image: SOAK

"People are really responding to having an alternative to the pub"

The response has been amazing, particularly given how new we are, and how hot it has been this summer. What's been fun is seeing how differently people use it: some come alone, but we’ve also had groups of friends, birthdays, dates, hens/stags, families and teams from work.

People are really responding to having an alternative way to spend time together that doesn’t revolve around a pub. The best part has been the feedback and reviews; it really does seem like people leave the boat with an extra special feeling.

Image: © Illias Teirlinck

The plan is to be open year-round. In some ways we're most excited about autumn and winter — the cosiness will ramp up, and people will be seeking out some warmth (they've been running from it during these heatwaves!).

We've only experienced it once or twice, but being on board whilst it's raining is so nice. The sounds and sights of the droplets landing on the water are quite enchanting. It'll bring some other issues though. In winter, we'll get less energy from our solar panels, but the canal water itself will get very cold and even freeze. This means we'll get colder water coming into the boat (we filter and purify canal water), which could help the efficiency of our cold plunge chillers. We just don't know yet which will have the greater effect.

Image: © Kaye Song

For now, SOAK is very much a London project. We're travelling along the canal network and have already moved through different parts of east and north London, with each mooring giving the boat a completely different character; rather than publishing a rigid route, we announce each new location as we go and stay for two weeks before moving on. Longer term, we'd love to take the idea further afield. The boat itself will mainly remain tied to London’s waterways, but we're interested in what SOAK could become in other cities and landscapes too.

Find out more about SOAK — and book a slot — on the website.

Things To Do In London This Weekend: 22-23 August 2026

Londonist — Mon, 17 Aug 2026 12:30:00 +0100

All weekend

Greenwich Fair is among the free events this weekend. Image: GDIF

BARBICAN OUTDOOR CINEMA: An eclectic range of films is on offer at Barbican's Outdoor Cinema this summer. On Saturday, watch Weathering With You, Makoto Shinkai's follow-up to anime fantasy film Your Name. On Sunday it's action-packed kaiju extravaganza Ghidorah, The Three-Headed Monster. Films are shown on a giant screen in the open-air Sculpture Courtyard, with food and drink available to buy nearby. 19-30 August 2026. Have a browse of the other outdoor cinemas popping up in London this summer.

ALL POINTS EAST: Deftones, Lorde, Tyler the Creator... just a few acts on the impressive line-up at this year's All Points East Festival in Victoria Park. Tickets for this Saturday are sold out, but Sunday's still available at time of writing. The In The Neighbourhood free programme of events on selected non-gig days returns this year too, offering live music and DJs, fitness activities, outdoor cinema and family theatre shows. 21-30 August 2026

GREENWICH AND DOCKLANDS INTERNATIONAL FESTIVAL: Free outdoor performing arts festival Greenwich and Docklands International Festival is back, for two weeks of theatre, art, dance and circus in outdoor locations, with a theme of 'We Move'. The highlight this weekend is the annual Greenwich Fair in Greenwich Park, with several other events happening around south-east London too. FREE 21 August-6 September 2026

PROPELLERS AND POPCORN: London's full of unusual places to watch a film over the summer months, but what about on an airfield? The RAF Museum in Hendon screens (rather fittingly) Top Gun and Top Gun: Maverick for its Propellers & Popcorn movie nights. 1980s costumes very much encouraged. 22-23 August 2026

Watch people competing in all manner of games. Image: Mind Sports Olympiad

QUEER FREQUENCIES: It's weekend three of The Music is Black Festival on Stratford's East Bank — and the turn of Queer Frequencies. That means two afternoons/evenings packed with live music curated by Shy One, Donnie Sunshine, Mark-Ashley Dupé and Joel Mignott. Plus the Dance Floor is Black at Sadler's Wells East — which runs especially late on the Saturday. FREE, 22-23 August 2026

MIND SPORTS OLYMPIAD: Fire up your little grey cells, the 30th edition of the Mind Sports Olympiad takes place at the Mercure Earls Court hotel. More than 80 games are held across nine days, with spectators welcome to watch participants in contests spanning Othello, Scrabble, Catan, Ticket to Ride and Sudoku. The Backgammon World Individual and Team Championships also feature. 22-30 August 2026

MARIONETTES EXHIBITION: Islington's Little Angel Theatre marks its 65th birthday with a free exhibition celebrating string puppets. View historic and newly made marionettes by British makers from across six decades, including the theatre's own founders John and Lyndie Wright. FREE, 22 August-6 September 2026

FAIRY TALES: Interactive displays, theatrical design, costumes and activities feature in family-friendly exhibition Fairy Tales at the British Library, which closes this weekend. Familiar characters and magical creatures are brought to life as you learn how fairy tales have been transformed through time. Until 23 August 2026

SUMMER SOUNDS: Free open‑air music and performance festival Summer Sounds is back at Coal Drops Yard mixing folk, jazz, soul, classical and indie. This final weekend includes performances by Soul Choir, Rock Choir and the all-male Chaps Choir, as well as a roaming dance performance on a 12ft giant wheel. FREE, until 23 August 2026

Saturday 22 August

Last chance to view Driven To Draw. Image: © David Levene

SUMMER MARKET: Dagenham's historic museum grounds fill with over 20 local community stallholders for the return of the Valence House Summer Market. Alongside a variety of handmade gifts and treats, the Fun Football Factory provides family entertainment with an inflatable goal and a giant darts board. 10am-4pm

FRANK BOWLING: British artist Frank Bowling is in the spotlight at the Royal Drawing School where exhibition Driven To Draw showcases his works spanning more than 60 years. Today's the final day of the exhibition. 10am-4pm

HISTORY BOOK FESTIVAL: Leading historians and authors gather at Southwark Cathedral for a day-long celebration of historical storytelling and diverse voices. Access a packed programme across the nave and library, including Alison Weir discussing the wives of Henry VIII, and Anne Sebba on Wallis Simpson. Other sessions explore the Lost Jewels of Cheapside and the darker side of the early Quakers. 10am-9pm

MAKERS MARKET: The Ivy House in Nunhead hosts its first ever Makers Market, bringing together a curated selection of local traders to the historic community-owned pub. Browse a variety of handmade gifts, crafts and unique wares. FREE entry, 11am

WINE FAIR: Hop from importer to winemaker in Crystal Palace Park, at the South London Wine Fair, tasting any vinos you like from 20+ exhibitors (there are over 100 wines in all). Note that time slots are limited to 110 minutes. 12pm-6.30pm

MUSIC JERK 'N TINGS: Forest Hill's Horniman Museum and Gardens hosts a celebration of Caribbean culture featuring live music, island flavours and family activities. Comedian Donna Spence leads a packed line-up at the Bandstand, including the Delphina James Steel Ensemble, reggae royalty Me & You, and DJ Daddy Ernie spinning everything from soca to lovers rock. Top chefs serve jerk, vegan and vegetarian dishes alongside an arts and crafts market showcasing independent producers. 2pm-6pm

Watch Nii Kwate Owoo's You Hide Me. Image: Barbican Cinema

PAN-AFRICAN INTERVENTIONS: Barbican Cinema screens Pan-African Interventions in the Museum, a selection of films examining how Western institutions have shaped and suppressed African cultural histories. Works range from the 1953 critique Statues Also Die to contemporary reflections by Hope Strickland and Emma Wolukau-Wanambwa. The programme, which includes Nii Kwate Owoo's searing You Hide Me, concludes with a live panel discussion with filmmakers Ayo Akingbade and Hope Strickland alongside artist Daniel Owusu. 2pm

HEATHERS THE MUSICAL: Adapted from the cult 1980s film, the popular Heathers the Musical is at The Arts at Marble Arch, and today's your last chance to see it. Journey into Westerberg High with It Girl Veronica Sawyer, the three Heathers and the mysterious J.D. 2.30pm/7.30pm

WOOLWICH WOOFS: Canine companions of all breeds and sizes take over the courtyard at Woolwich Works for the return of the Woolwich Woofs Dog Show. Enter your pet into a variety of friendly competitions, including an opening pageant, Doggie Track & Field, and a talent showcase, with a free 30-minute "Doga" (dog yoga) warm-up session. 3pm-5pm

SOUL CITY: Camden's summer party series returns with a day-to-night session that splits its time between open-air grooves and a late-night club floor. The event begins at Campfire, the outdoor venue at Two Tribes Brewery, for sunset house sets before moving around the corner to the main stage at the Jazz Cafe. Expect a soundtrack of warm house grooves and dance floor favourites from the Soul City DJs. 3pm-3am

CIRQUE DU HANDICAP: Taking place at Soho Theatre Dean Street, Cirque Du Handicap is a cabaret-theatre show that mixes exaggerated circus acts, spoken word and theatre to tell a story rooted in disability justice, representing the life of disability activist, writer and actor Simi Roach.6.45pm

Walt Disco take to the decks. Image: Scared To Dance

KEMI AMOS: East London independent artist Kemi Amos brings her unique blend of folk, alternative and rock-influenced sounds to the stage at the Social in Fitzrovia. Renowned for deeply personal and empowering songwriting, she performs a late-night set at this intimate Little Portland Street venue. 7.30pm

CHINEKE! ORCHESTRA: World-famous music festival BBC Proms continues, and tonight it offers a chance to see the Chineke! Orchestra — Europe’s first majority-Black and ethnically diverse orchestra — live in concert at the Royal Albert Hall with American soprano Angel Blue. 7.30pm

NEON NIGHTS: Taskmaster star Fern Brady headlines a comedy showcase at Soho Theatre Walthamstow. The Neon Nights Summer Special features a packed bill including Janine Harouni, Daniel Foxx and Thor Stenhaug. It's hosted by Sikisa. 8pm

SCARED TO DANCE: Post-punk, new wave and art-rock fill the dance floor as club night Scared To Dance returns to the Shacklewell Arms in Dalston. Guest DJs Walt Disco join resident Paul Richards to spin a set featuring the likes of Talking Heads, Dry Cleaning and Wet Leg. 11pm

Sunday 23 August

Mark Slavery Remembrance Day. Image: © National Maritime Museum, Greenwich, London.

JACOBEAN LIFE DRAWING: Sketch the figure beneath the opulent 17th century plasterwork of Brentford's historic Boston Manor House. This tutored workshop, hosted by Brentford Nudes in the imposing Drawing State Room, is open to all abilities from novices to seasoned artists. Basic dry materials are provided for the session, which takes place in one of the house's most grandly decorated historic interiors. 10am-12pm

BLACK HISTORY WALK: Explore the rich African and Caribbean heritage along the riverside on a Southbank Black History Walk. The tour traces histories from ancient Africa and the link between the Second World War and the Windrush generation to the history of Black British Civil Rights and the Anti-Apartheid movement. Learn about the area's connection to Caribbean entrepreneurs, best-selling authors, and the African Odysseys film programme at the BFI. 10.15am-12.30pm

LUXURY HOTEL SECRETS: Step behind the gilded doors of the capital's most prestigious addresses on The Secrets of London's Luxury Hotels, a guided walk starting from Green Park. Led by Andy Hotels — the official historian of Brown's and author of the definitive history of the Savoy — the tour uncovers a world of white-glove service and high-society scandal. Hear about Rudyard Kipling's final moments at his desk, King Zog of Albania checking in with the crown jewels, and the mystery of a body found in a bathtub. 10.45am-12.45pm

QUEER SOHO: Discover how lesbian, bisexual, and trans identities have shaped the historic urban landscape of London's pleasure district on the Queer Soho walking tour. The two-mile route explores queer place-making and activism, from the planning of Piccadilly to the hidden social worlds tucked away behind Soho's facades. The tour begins outside the Criterion Theatre and considers how licensing laws and "mainstream-ification" continue to impact these community spaces today. 11am-1.30pm

SLAVERY REMEMBRANCE DAY: The National Maritime Museum in Greenwich marks Slavery Remembrance Day with an afternoon of workshops, screenings and other events remembering the long struggle for emancipation throughout the world. FREE, 11am-5pm

Visit the magnificent Crossness Pumping Station. Image: Christine Matthews, Creative Commons

PUBLIC SPEAKING: Storytelling coach Ian Hawkins heads to the George IV in Chiswick to explain Why Everything You Know About Public Speaking is Wrong, as part of the Pints of Knowledge events series. The Netflix coach, who has worked with CEOs and Olympians, shares the fundamental principles used by influential leaders to engage audiences and overcome stage fright. 12pm-1.45pm

CALAIS FOOD COLLECTIVE: Head to the garden of the Fox and Firkin in Lewisham for a Day Party to raise urgent funds for displaced people. The afternoon features a mix of DJs, arts and crafts stalls, and food and drink options, with all proceeds supporting the grassroots provision of food and water in Calais. 12pm-7pm

CATHEDRAL OF SEWAGE: Witness the spectacular ornamental cast ironwork of the Crossness Pumping Station during a special steaming day. This Victorian masterpiece, designed by Sir Joseph Bazalgette to save London from the "Great Stink," opens for a guided tour that includes an illustrated history talk, a ride on a narrow-gauge railway and a look at an extraordinary collection of historic toilets. A vintage bus pick-up from Abbey Wood station is available to ferry visitors to the site. 2.30pm-4.30pm

K-POP ALL STARS: Fans of global chart-toppers can head to the Churchill Theatre in Bromley for the K-Pop All Stars Tribute. The high-energy production features stadium-sized anthems and razor-sharp choreography, covering hits from the likes of Blackpink, BTS, NewJeans and Stray Kids. Expect a spectacle of visuals and original dance routines that capture the vibrant energy of the world's biggest pop movement. 3pm/7pm

PORTRAIT PHOTOGRAPHY: Photographers looking to master environmental portraiture are invited to the Forty Hall Estate in Enfield for a practical afternoon workshop. Learn how to use available light across the estate's historic grounds to add context to your subjects. The session is designed for those with a working knowledge of manual camera settings like aperture and ISO. 3pm-4.30pm

SIP & PAINT MONET: Impressionistic brushstrokes and French coastal light take centre stage at the London Art Bar in Holborn for Sip & Paint Monet's Antibes. Participants are guided through the creation of their own masterpiece inspired by Claude Monet, with all art supplies, an apron and a glass of prosecco included in the ticket. A themed playlist provides the backdrop for the afternoon, and no prior painting experience is required to join in. 3.30pm-6pm

ROMEO & JULIET: Fulham Palace's walled garden becomes the stage for Immersion Theatre Company's take on Romeo & Juliet, described by Stage Review as "the funniest, freshest telling you're likely to see for years". 5.30pm-7.20pm

Wandsworth Could Lose Its 'Clockwork Orange' Advertising Structure

M@ — Mon, 17 Aug 2026 10:26:37 +0100

The current advertising cradle at Wandsworth Roundabout. Image: Matt Brown

It's been a landmark on the Wandsworth Roundabout for 30 years, but the metal cradle's days could be numbered.

Not very often do people lament the loss of advertising infrastructure, but the one at Wandsworth Roundabout has some special associations.

The circular structure had dominated the junction since 1995, a familiar landmark to anyone passing through the area south of Wandsworth Bridge.

Its design, like a mechanical sphere, could be a nod to Stanley Kubrick's Clockwork Orange (1971), which used the underpasses beneath the roundabout as a filming location. (We've always thought it resembles Jodie Foster's wormhole machine in Contact, but that's neither here nor there.)

Now, the site's leaseholders Wildstone Estates want to replace the structure with something more efficient. Plans submitted to Wandsworth Council show a peculiar, asymmetric tree-like structure, with four advertising screens up in the branches. The company describes its proposal as "a sculptural, nature-inspired landmark that enhances its surroundings".

Image: Wildstone Estates and Tate + Co

Replacing abstract hoops with something more organic and arboreal sounds like a very good move. It might work rather nicely. Yet from some angles, the proposed structure looks decidedly ungainly; some would say ugly.

Image: Wildstone Estates and Tate + Co

Many locals agree. The proposal has now received 133 objections (see planning application), which are peppered with phrases like 'waste of money' and 'eyesore'. And that's with visuals in which the advertising screens are showing scenes of forestry, rather than giant corporate logos.

As well as aesthetic objections, some fear that the screens — slightly larger than the existing ones — will be a greater distraction for drivers.

Are we also losing something of historical worth? Even we'll admit that would be a hard argument to sell, but with the recent loss of the similar advertising cradle at Old Street roundabout, there's a danger we may entirely erase a category of 1990s architecture.

The existing structure has a fine simplicity about it. Image: Matt Brown

True, there are bigger planning battles out there and, at the end of the day, this is 'just' an advertising structure. Yet we can't help thinking that this is an unwelcome erasure, especially when the replacement looks like a cudgeled wine rack.

You can scrutinise the planning documents for yourself over on Wandsworth's planning site.

Chateau Network Rail! Did You Know Denmark Hill Station Has Its Own Vineyard?

Will Noble — Mon, 17 Aug 2026 10:00:00 +0100

Spotted this vineyard growing at Denmark Hill station? Image: Camberwell Society

On the slopes of Denmark Hill station — overlooking the trains ferrying in and out of central London — a mini Provence is emerging.

As well as 56 lavender plants and a pétanque court, the station now has 22 flourishing Bacchus grapevines. The unlikely viticulture project is the work of Nick Mair and Tony Coleman from the Camberwell Society, who have permission from landowners Network Rail to bring a touch of southern France to south London.

"Denmark Hill Station was strewn with litter and we wanted to make it somewhere special," says Nick, who has a French mother, and was a keen winemaker in his teenage years, dabbling ever since. "I was fascinated by the process rather than consumption… My grandfather made my father's single bed into a wine press when he got married. I still use it today."

Tony (left) and Nick plant out the vineyard. Image: Camberwell Society

Having successfully tested the Denmark Hill soil in 2022 with a crop of sunflowers, the two budding vintners then planted it up with vines. Pairing perfectly with Nick's wine making nous is Tony's construction background, coming into play with the layout and construction of the vineyard, using vertical posts. Bacchus grapes were chosen, as they tend to fair well in southern England and are, as Tony humbly puts it, "forgiving for beginners."

Although the Camberwell Society duo are under no illusion that their wine will be scooping gold medals anytime soon, Nick's previous homemade wine attempts have proved "very drinkable".

Just two bottles of Denmark Hill were produced last year, each bottle still individually numbered, i.e. 'one' and 'two'. "This year will be our first proper harvest," says Nick. "We pruned using the double Guyot method — Tony went on a vine tending course at Mount Vineyard in Shoreham.

"The grapes are looking good, though a little rain at some stage would be helpful…"

2025's harvest made two bottles of wine, but 2026 will be the proper harvest. Image: Camberwell Society

As for the wine to come from 2026's harvest; Nick says they hope to yield at least one bottle per vine. Which will still make it one of the rarest wines in the world. Sadly for passengers and locals, it won't be for sale anytime soon. In fact, none of the Denmark Hill wine has been tasted at all yet. Nick says that the Camberwell Society may host a mini wine tasting at its Christmas party, or perhaps their next open gardens event. "Sip it and see will be our approach…"

We look forward to the day there's enough of it to sell in the Phoenix pub, suspended above the Denmark Hill platforms.

As well as looking out for the grapevines at the station, be sure to enjoy the art trail — another Camberwell Society initiative.

A New Way To Make More Meaningful Friendships In London

Sponsor — Mon, 17 Aug 2026 09:33:56 +0100

This is a sponsored article on behalf of Interest inc™.

Image: Vitaly Gariev/Unsplash

In a city as vast and fast-paced as London, it's surprisingly easy to feel as though your social life lacks substance.

Maybe you're a newcomer to the city, or have seen your closest friends leave the city for the suburbs. Perhaps you've felt overwhelmed at oversubscribed evening classes, or struggled to move beyond small talk with your neighbours.

Interest inc™ aims to change all that. This new community membership platform has a simple goal: to help Londoners create more meaningful friendships, by bringing small groups of people with shared interests together over coffee.

Image: RDNE Stock project/Pexels

Interest inc™'s curated meet-ups are refreshingly straightforward. They typically involve no more than five people: all strangers who are matched based on mutual interests. Each group meets for a free-flowing 90-minute chat at a local cafe. Afterwards, you can opt-in to meet again via the Interest inc™ app, or exchange contact details with those you click with.

All participants are additionally encouraged to leave a kind word about each person they've met on its platform. Over time, each piece of positive feedback you receive is added to your personal word cloud — a confidence-boosting reminder of how others see you.

Image: RDNE Stock project/Pexels

If this sounds like your cup of tea, help get Interest inc™ off the ground here in London by signing up today. Once the platform reaches 100 local members, the first meet-ups will be scheduled for the following week. You can sign up for free, and when you do so you'll be asked to pick several subjects that interest you, from philosophy to art to fitness. You'll also be invited to share a few details on your personality — your level of extroversion, your conversation style, etc. — to help Interest inc™ match you more effectively.

Interest inc™ is free to join but you'll need to become a paying subscriber to book seats at meet ups. This gets you unlimited access to meet-ups, with one month, three month and six month plans available so you can give it a go, low-commitment. If your social life feels fragmented or your plans with friends rarely make it out of the group chat, this could be just the shake up you need...

Free Things To Do In London This Week: 17-23 August 2026

Londonist — Mon, 17 Aug 2026 09:00:06 +0100

Free things to do in London this week.

There are free gigs all week at Summer Sounds. Image: King's Cross

Summer Sounds in King's Cross

It's party time in King's Cross as the free Summer Sounds festival offers a programme of shows throughout this week. Head to Coal Drops Yard for performances from the likes of Sudanese band The Scorpios, all-male choir The Chaps, jazz-pop duo Fonda and the Motown Gospel Choir. Queer Britain curates several events on the programme, shining the spotlight on LGBTQIA+ artists, and it's not just music — a giant wheel is paraded through the area as part of a dance performance on the final day (Sunday).

Until 23 August.

Routes, ruins and reconnaissance

Last chance to see the free Routes, ruins and reconnaissance exhibition at the Royal Geographical Society in Kensington. Newly-digitised images and other artefacts combine to tell the story of Gertrude Bell, the political officer, spy and traveller whose archaeological and geographical work proved invaluable to British intelligence in the First World War.

Until 24 August (weekdays only).

Tortoise Town workshop

Take the kids along to the Garden Museum in Lambeth on Tuesday for a free workshop led by RIBA. Model a tortoise house from recycled materials, based on a brief provided by 'Ian the Tortoise', and decide what he would like/need for his hibernation home or summer shelter. Ages three+.

18 August.

Harvest Family Day

On Wednesday, entertain younger members of the family at the Museum of the Home's Harvest Family Day. The Hoxton museum offers a series of creative workshops throughout the day including decorating your own ceramic pot, as well as outdoor play sessions in the garden.

19 August.

Summer by the River: Burlesque

The Summer by the River festival continues on the south bank of the Thames between London Bridge and Tower Bridge, and on Wednesday it offers a free screening of 2010 film Burlesque the Musical. Christina Aguilera, Eric Dane, Kristen Bell and Stanley Tucci star in the story of a small-town singer seeking success in a glamorous nightclub in the big city.

19 August. Additionally on Thursday lunchtime, folk musician Cohen Braithwaite-Kilcoyne gives a free performance as part of The Pocket Garden Sessions on the Summer by the River programme.

Dickens Museum talk

Historian and author Lucinda Dickens Hawksley visits the Charles Dickens Museum in Bloomsbury on Thursday to discuss the life of Frances 'Fanny' Dickens. As the eldest sibling, and a talented musician who trained at the Royal Academy of Music, Fanny served as a major inspiration for several characters in her brother Charles' novels. Hear about the legacy of this often-overlooked Victorian singer followed by a short Q&A. You can attend either in person or watch online — the talk is free, but you'll need to pay museum admission should you wish to visit the rest of the house.

20 August.

Larks in the Parks

Author and south Londoner Chris Roberts leads a Larks in the Parks walk around Clapham Common on Friday evening. Expect obscure pop cultural references and an appearance from Spring Heeled Jack. Book a free/pay-what-you-want slot, and meet at the Common's Cavendish Road entrance.

21 August.

Boston Manor community walk

Join a small group for a walk around Boston Manor Park and the surrounding area in Brentford on Friday. Everyone's welcome, and you'll need to wear a suitable pair of shoes for walking and take a bottle of water to stay hydrated. It lasts about an hour.

21 August.

GDIF 2026

The Aunties: House of Masks is part of GDIF 2026. Image: Emmanuel Cole

Free performing arts extravaganza Greenwich + Docklands International Festival (GDIF) is back from this Friday, offering two weeks of free outdoor shows and activities across south-east London.

It begins with 360, a dance performance taking place around and inside a circular cage in Woolwich, and continues with the popular Greenwich Fair and other events over this weekend, and plenty more happening next week and beyond. It's all free and family-friendly.

21 August-6 September.

Mosaktion

Mosaic artist Corinne Ashleigh Brown leads Mosaktion, a free community arts programme by Norwood JunkAction which combines community litter-picking with workshops exploring mosaic, sustainability and public art. This particular project is to make a street sign for Holmesdale Community Garden. Note that the workshop is happening at Stanley Arts, South Norwood, Saturday from 11am.

22 August.

Marionettes exhibition

View marionettes dating back 60 years. Image: Little Angel Theatre

Islington's Little Angel Theatre specialises in puppetry, and it's marking its 65th anniversary with a free exhibition about string puppets and marionettes. View a display of historic and newly-made marionettes created by makers across six decades, including the theatre's own founders John and Lyndie Wright.

22 August-6 September.

Slavery Remembrance Day

The National Maritime Museum and Queen's House in Greenwich mark Slavery Remembrance Day with an afternoon of free events and activities on Sunday, asking what role museums, artists and cultural institutions can play in addressing historical injustice today.

It begins with a keynote speech by historian, author and Chief Executive of the Black Cultural Archives, Dr Wanda Wyporska, followed by a performance by the Ethno Vox choir, a programme of short films about the legacies of slavery and colonialism, as well as talks, workshops and tours throughout the day.

23 August.

Lover's knot

Visit the Shoreditch branch of TOAST on Sunday between 12pm-4pm and straw worker Lu Towle will teach you how to make a 'lover's knot', traditionally gifted to one's partner at the end of the harvest. (Should look good with your gourds/pumpkins later on in the year too.) The workshop and materials are free, just drop in.

23 August.

Little Holland House: A Romantic Arts And Crafts Gem Deep In South London

Will Noble — Sun, 16 Aug 2026 09:09:02 +0100

Little Holland House is an arts and crafts gem deep in south London. Image: Londonist

Little Holland House is, to be honest, exactly the kind of place you'd expect to find in Carshalton.

This villagey enclave of south London, with its fragrant lavender fields and CAMRA award-winning pub, is perhaps not all that much changed from the early 1900s, when Frank Reginald Dickinson decided to build a house on Beeches Avenue — back then named, even more idyllically, Beechnut Tree Road.

Nearly all of the artworks in the house are by Frank Dickinson. Image: Londonist

Neither wealthy not an artist of great renown, draftsman Dickinson had a vision, albeit one that his friends suggested was "very ill advised". Vigorously inspired by aesthetes like John Ruskin and William Morris, he vowed to build "a house with beautiful things inside, a house solid looking and not showy". After poring over copies of 'The Builder', securing an interest-free loan — and putting in a good deal of back-breaking work — Frank moved into Little Holland House with his wife Florence on their wedding night, in March 1904 (which smacks of the kind of close-to-the-knuckle scheduling you'd expect from Grand Designs).

Ever sentimental, he penned a poem:

I built my love a dwelling place,
Where we could order well our days,
For life’s great purpose and resolve;
To mould and emphasise ourselves
And who might journey with us.
My love and I with heart intent
Conceived a hundred plans and more,
Discarding builders common ways,
We'll have two rooms unite in one,
So large a room for dance and song.

The main bedroom is heavily themed around sleep, which makes a lot of sense. Image: Londonist

It wasn't just the house that Frank built, but almost every stick of furniture, alongside a multitude of decorative flourishes: oil paint triptychs above the fireplaces; a bedhead carved with an inscription from The Ancient Mariner; pottery from Frank's time at the Doulton factory. Meanwhile, Florence put her own skills to work embroidering the curtains and making lampshades. Nothing is overly elaborate; yet everything is as competently crafted as it wildly romantic.

A scattering of Frank's artworks in the front bedroom. Image: Londonist

As for the name 'Little Holland House': Dickinson borrowed that from the Kensington home of the Victorian artist George Frederick Watts. (That particular Little Holland House is long demolished.)

One of the few things Frank Dickinson didn't make — this sleep-themed relief was a wedding gift. Image: Londonist

For many years, Little Holland House became, as Dickinson wrote in his unpublished autobiography, "a centre for gatherings and festivities, country dancing, play acting, musical evenings and discussion groups." Gradually, it was filled with the artistic fruits of Frank's labours, including a silver coffee set he made for Florence for their wedding anniversary.

The Death of Ananias, which failed to make the Summer Exhibition, perhaps because of its socialist leanings. Image: Londonist

In one of the bedrooms hangs his 1946 painting The Death of Ananias, which bristles with socialist figures like Karl Marx and William Morris, and was entered into — and turned down by — that year's Summer Exhibition.

You can also explore Little Holland House's garden, home to fruit trees and a cat. Image: Londonist

After Frank died in 1961, Florence continued to live there for a decade, but finally had to move out. In a time when councils bought, rather than sold off properties, Little Holland House was taken under the wing of Sutton Council in 1972, and a couple of years later, two young Americans, Jack and Joan Warshaw, moved in on the proviso they looked after the property, and opened it to the public. In the first two weeks, more than 2,000 curious visitors came to the house.

Frank's former workshop is now a mini museum filled with photos and plans. Image: Londonist

It's been a house museum ever since, now open on most first Sundays of the month, and although no one lives there anymore, it's manned by a group of extremely friendly, and well-versed volunteers. A nice touch is that visitors knock for entry* through the front door — one that Frank purposefully made wide because "a narrow door suggests meanness and does not give the idea of a welcome."

Little Holland House is usually open on the first Sunday of the month. Image: Londonist

Both William Morris and John Ruskin were dead by the time the house was completed, and so never saw Frank Dickinson's live-in tribute. Meanwhile, Jack Warshaw, the former custodian, said of Frank in 1974: "He was a painter who seldom exhibited, a poet who never published, a woodcarver, furniture maker and metal smith who hardly earned a penny at his craft..."

And yet Frank Dickinson left something behind which continues to give immense delight to anyone who knocks on the door and steps inside. That's the finest compliment any creative could ask for.

Little Holland House usually opens on the first Sunday of the month, and there's bonus open day on 13 September 2026, as part of Open House. Entry is free, though booking is suggested.

*Don't press the loud doorbell!

Best Of Londonist: 10-16 August 2026

M@ — Sun, 16 Aug 2026 06:00:00 +0100

Your weekly roundup of Londonist news and features.

See A Celebrity Herd 50 Sheep Over Southwark Bridge

Not something you witness every day.

Image: @ThisMediaLarke

The New Towns Programme: What Is It And How Does It Affect London?

Thamesmead set for major changes.

Image: Kleon3 via creative commons

Where London's Violins Find A New Lease Of Life

Bridgewood & Neitzert in Stoke Newington.

Image: Londonist

The Hidden Gem That Is Turner's House - And The Story Of One Of Art's Greatest Bequests

Step inside the landscape painter's largest work of art. (sponsor)

Image: Turner's House

Oxford Street Pedestrianisation: What's Happening, When, And Where?

It's imminent. Here's what you need to know.

Image: Ahmad2saud, Pexels License

Asquith Xavier: The Man Who Ended Euston Station's Racist Colour Bar

"Ordinary people can have an extraordinary impact."

Image: English Heritage

AA Milne And Winnie The Pooh's London

Haunts of the author and his honey-loving creation.

Image: V&A Museum

The Complete Tudor. Part 1: Central London

A map and guide to every Tudor building.

Image: Matt Brown

A Family-Friendly Food Festival At The RAF Museum

Aeroplane food never tasted so good! (sponsor)

Image: RAF Museum

Can You Solve The Musical Puzzle Of Paddington Street?

It looks like a simple musical puzzle, but...

Image: Matt Brown

"I'm Bringing Disabled And Neurodiverse Stand-Up To The Mainstream"

Laugh-Able Comedy is smashing down barriers.

Image: Laugh-Able Comedy

This Twin Peaks Festival Returns To London In September

David Lynch lives on.

Image: Aaron from Seattle, WA, USA, Creative Commons

Carnaby Street... Before It Was Famous

The Soho street *before* Swingin' London.

Image: Matt Brown

Oktoberfest In London 2026: Where To Find Steins, Bratwurst And Lederhosen

Lager, bratwurst and oompah galore.

Image: German Gymnasium

Can You Crack The Secret Code On This Westminster Plaque?

GCHQ's plaque contains a hidden code.

Image: Matt Brown

Looking Ahead: Things To Do In London This Week: 17-23 August 2026

See what's on in London this week.

Image courtesy of Paramount UK

Soho's Newest Italian Restaurant And Deli Will Be Made Entirely From Wool

Laura Reynolds — Sat, 15 Aug 2026 08:12:00 +0100

The food's a bit woolly at the new restaurant. Image: Kate's Knitalian

A new Italian restaurant and deli opens in Soho this autumn, but the food's somewhat... woolly.

Despite its prime central London location, you won't be able to swing by Kate's Knitalian for a pre-theatre meal or late-night dinner. It's an art exhibition, one where the food is made entirely of wool.

Textile artist Kate Jenkins is using crochet, knit and embroidery to transform Air Contemporary Gallery into a detailed Italian trattoria and deli counter, where tables are laid with hand-knitted feasts: (Literal) strings of salami, woven wheels of parmesan and tangled spaghetti are among the dishes on display — all painstakingly crocheted stitch by stitch.

A knitted pizza topped with crocheted anchovies. Image: Kate's Knitalian

Given the popularity of similar ideas by felt artist Lucy Sparrow — including her 2025 felt fish and chip shop in Mayfair — we expect Kate Jenkins' exhibition will be very busy.

Says Jenkins:

I've always wanted to create an entire Italian restaurant in yarn. Italy has always inspired me — not only through its food, but its appreciation of craftsmanship, beautiful materials and the rituals that happen around the table. At Kate's Knitalian, visitors won't simply look at artworks on walls — they'll step into a complete restaurant where every detail has been carefully considered.

Image: Kate's Knitalian

You'll soon be able to book reservations online, with two sittings at the Knitalian every day. All artworks will be available to buy.

Jenkins has been using her skills to transform yarn into food-inspired artworks for three decades, featuring most recently in the window of the Hermès flagship store on New Bond Street.

Kate's Knitalian is open at Air Contemporary Gallery, 4 Ham Yard (in the courtyard of the Ham Yard Hotel) in Soho, 30 October-5 December 2026. Follow Kate on Instagram for a preview at some of the pieces, including some incredibly realistic works.

Asquith Xavier: The Man Who Ended Euston Station's Racist Colour Bar

Will Noble — Fri, 14 Aug 2026 14:47:13 +0100

Asquith Xavier is now honoured with a Blue Plaque outside his former Notting Hill home. Image: English Heritage

On the first day he arrived in London from the Caribbean island of Dominica in 1958, Asquith Xavier started working.

The 38-year-old Windrusher started out as a porter for British Railways at Marylebone Station, but his work ethic, and popularity among customers, ensured he was soon promoted to train guard — the first Black person to serve as one in Britain.

But something stood in the way of Xavier's next career move. In 1966 when he applied for a transfer to Euston Station, he was rejected, the staff representatives refusing to accept "coloured staff" in public-facing roles. Such unofficial 'colour bars' were both common, and grossly ironic, given that Windrushers had been coaxed to British shores in order to help rebuild the 'mother country'.

Xavier — who died in 1980 — refused to accept the decision, and worked with a union representative to bring the story to national attention. Eventually British Railways was forced to overturn its decision. Perhaps the divisional manager of the London Midland region of British Railways who spoke at the subsequent press conference should have thought twice before suggesting that "staff representatives as Euston were not really anti-colour so much as pro-white...". We'll leave that one there.

Not only was Xavier awarded the job — becoming the first Black railway guard to work out of Euston Station, on 15 August 1966 — he was given two months backdated pay. "This is my happiest day since I arrived in England eight years ago," Xavier told the press, as he arrived for his first day on the new job 50 minutes early.

Meanwhile, British Railways announced that future job opportunities in London would no longer be closed on racial grounds. This was not, of course, the end of racial discrimination in London's workplaces (indeed, Xavier was the recipient of a number of anonymous abusive letters). But a powerful stand had been made; a big step forward taken.

"Whatever he did, he did it for compassion." Image: English Heritage

"Whatever he did, he did it for compassion," remembered Xavier's daughter, Sandra St John in 2023. "Because he cared about people." This was at an event in which the late Xavier had an Avanti West Coast Pendolino train named in his honour.

In August 2026, he received another honour — an English Heritage Blue Plaque unveiled at his former Notting Hill home on Ledbury Road. Said English Heritage senior historian, Howard Spencer: "Asquith Xavier's story is a powerful reminder that ordinary people can have an extraordinary impact. He was not seeking to become a campaigner or public figure.

"His fight began with a simple desire for a fair opportunity to support his family, but it became a landmark moment in Britain's struggle against workplace discrimination."

Londonist

Best Of Londonist: 17-23 August 2026

Eurostar, Virgin Trains, And The Future Of Cross-Channel Train Travel From London

When is Eurostar getting double-decker trains?

Which new Eurostar routes are opening, and when?

Will the closed Eurostar stations reopen?

When will Virgin Trains start running between London and Europe?

Where will Virgin Trains' channel routes go?

Will Virgin Trains replace Eurostar?

Why are these changes happening now?

Will any other operators run train services to mainland Europe?

Ghosts In The Gardens: Five Scary Stories From Kew

The Runaway Carriage

The Foggy Day Ghost

The Phantom Hound

These Boots Are Made For Haunting

The Fairy Mimosa

What's The Average Rent In Each London Borough?

Denmark Street Will Rock With Free One-Day Music Festival

Inside the Bank of England: An Historical Tour Of Its Grand Rooms

Ride On Vintage London Buses For Free This October

Ride On Vintage London Buses For Free This October

Visit *The Other* Dr Johnson's House, In Lichfield

Opening Date Announced For New Restaurant In Former Simpson's Tavern

"We Built A Spa On A Canal Boat — And Anyone Can Use It"

"You stay connected to the canal outside"

"People are really responding to having an alternative to the pub"

Things To Do In London This Weekend: 22-23 August 2026

All weekend

Saturday 22 August

Sunday 23 August

Wandsworth Could Lose Its 'Clockwork Orange' Advertising Structure

Chateau Network Rail! Did You Know Denmark Hill Station Has Its Own Vineyard?

A New Way To Make More Meaningful Friendships In London

Free Things To Do In London This Week: 17-23 August 2026

Summer Sounds in King's Cross

Routes, ruins and reconnaissance

Tortoise Town workshop

Harvest Family Day

Summer by the River: Burlesque

Dickens Museum talk

Larks in the Parks

Boston Manor community walk

GDIF 2026

Mosaktion

Marionettes exhibition

Slavery Remembrance Day

Lover's knot

Little Holland House: A Romantic Arts And Crafts Gem Deep In South London

Best Of Londonist: 10-16 August 2026

Soho's Newest Italian Restaurant And Deli Will Be Made Entirely From Wool

Asquith Xavier: The Man Who Ended Euston Station's Racist Colour Bar

Visit The Other Dr Johnson's House, In Lichfield