The Importance Of Public Art: Reviewed

Out There: Our Post-War Public Art, Somerset House ★★★☆☆

Tabish Khan
By Tabish Khan Last edited 26 months ago
The Importance Of Public Art: Reviewed Out There: Our Post-War Public Art, Somerset House 3
This Henry Moore sculpture known affectionately as Old Flo took centre stage in a campaign when Tower Hamlets council tried to sell it off. © Historic England

In London we're spoilt with how much public art we have on display. We have the Broadgate art trail, the Line and the annual Sculpture in the City. Not to mention the many solo sculptures in squares and parks.

But what exactly is the role of public art? Though it often goes unnoticed, it injects much-needed culture into a city, and gets people engaging with art who perhaps otherwise wouldn't. Somerset House's new exhibition — Out There: Our Post-War Public Art delves into this vital part of the arts, covering everything from the Hepworth on the side of the John Lewis building, through to the modern day labyrinths that Mark Wallinger has placed in every Underground station.

There are some fabulous sculptures on display, like a towering Lynn Chadwick and a pair of meat porters whose bodies seem to merge with the carcass they're carrying. Artworks also symbolise community spirit: two neighbours meld into one, and a tower rises up — ultimately held up by people.

We see how much the public cares about public art too: there are videos of protests to save Henry Moore's sculpture known as Old Flo.

As this is an indoor exhibition there aren't too many large sculptures; we have to rely on photographs and maquettes, and these lack the impact of the full-scale versions. FE McWilliam's Cain and Abel would look much more dramatic at full whack.

Another hold-up: one of the great things about public art is it's free to see and interact with. We know that exhibitions cost money to organise, but the admission charge is at odds with the nature of the show to pay for entry.

The exhibition ends by showing us all the public works that have been sold, lost or destroyed. It's sad to see how much is no longer visible, but this is contrasted by listing all those that have now been awarded heritage status so they can be preserved for future generations.

A relief by William Mitchell made for the Water Gardens in Harlow, Essex. © Historic England.

Out There: Our Post-War Public Art is on at Somerset House until 10 April. Tickets are £6.50, concessions £5. The exhibition has been organised by Historic England.

Last Updated 03 February 2016

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Ingrid Beazley

Dulwich Outdoor Gallery is a fantastic example of a collection of public art linked by area and a common theme. It consists of mainly murals (and some chewing gum) in the Dulwich area, (so also Peckham, Nunhead, Herne Hill, Forest Hill) painted by internationally renowned street artists - and in this it is unique - all these public art works are inspired by and based on old master paintings in Dulwich Picture Gallery. So Stik has interpreted Gainsborough and Murillo's figure painting, Phlegm, RUN, David Shillinglaw, Conor Harrington, Thierry Noir and Remi Rough have all based their walls on 17th century bible stories by Nicolas Poussin, System has interpreted a Rembrandt portrait, Mad C has painted her version of a Van Dyke, and Faith 47 has adapted a Greek myth by Guido Reni. Here is a map so you can find them: Dulwich Outdoor Gallery https://goo.gl/maps/Ada9Mq1nKT....
There are quite a few articles about this on the Londonist and elsewhere.