A fast-paced monologue of a show.
Mike Bartlett's latest play can't be accused of subtlety.
West Wing creator adapts Harper Lee classic.
The hotly-anticipated Straight Line Crazy is somewhat prosaic.
A flawless exploration of the Windrush legacy.
A twisty and clever black comedy.
Anniversary revival at Finborough Theatre.
A counter-intuitive creative pairing that really works.
Sting's back catalogue is used to great effect.
A grim retelling of the botched police investigation into the Yorkshire Ripper.
An enthusiastic cast and infectious music make for a fun production.
Leopoldstadt reminds us there are some things that should never be forgotten.
Too much of a good thing.
A brief encounter about fear and paranoia. But it makes its mark.
Stef Smith takes the heart of Ibsen’s once provocative play and gives it a jump-start.
If you’re prepared to let it in, Endgame will work its unforgettable magic.
Whether or not this soil is still fertile or better left fallow is another matter.
A bit too cosy, with a sentimental ending.
This reimagining of the classic story is a bit flavourless.
Conor McPherson’s reworking nicely millennial-ises Chekhov's original.
Noble intent, laborious delivery.
New cast, same feel-good vibes.
The Wrong Brothers get it right again.
A cycling play which freewheels to victory.
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