Sherlock Holmes At The Museum Of London

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By M@ Last edited 35 months ago
Sherlock Holmes At The Museum Of London

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In which we hail a hansom, make all speed to London Wall and consult a detective of singular fame.

There's no doubt about it, the Museum of London is really chasing the blockbuster on this one. Who can blame them? Sherlock Holmes's gaslight has rarely burned so bright, and public appetite for the sleuth is insatiable. The museum could have mounted an exhibition of Benedict Cumberbatch's toenail clippings, and still they would come.

What they have mounted is a thoughtful and detailed exhibition, whose highlights are subtle. Yes, there's the Cumberbatch coat and a massive canvas of the Houses of Parliament, but the value here is in the detail. Like the great detective, you need to examine everything closely, take your time, read every label.

Study_in_terror43Neat flourishes are present right from the start. We make our way in through a hinged bookcase that puts the ‘entry’ back into ‘elementary’. Inside, sections are thematic rather than chronological. It’s somewhat surprising to begin with a history of the detective on screen, but then we suspect that more people will be familiar with their Rathbones, Bretts, Downey Jrs and Cumberbatches than the original written-word stories. This display also offers a punchy, visual start to an exhibition that is thereafter composed mostly of books, paintings and objects in glass cases.

Further sections offer up nuggets on the genesis of Sherlock Holmes, the London he knew so well, and a final room examining his habits, talents and peculiarities through objects of the time. There is a strong emphasis on art, as has become common practice at this museum in recent years. The streets of the Holmesian city are revealed through the sketches of Whistler, the impressionism of Monet and annotated maps of the detective's peregrinations. Trumping them all, though, is the work of Sidney Paget, who sketched key Sherlockian scenes for Strand magazine. Paget was not the first to illustrate the Holmes stories (an honour that, surprisingly, went to Conan Doyle’s father), but it was he who first crystallised the time-honoured look of the characters, deerstalker hat and all. His original illustrations are not only of immense historical importance to the literary world, they are mesmeric works of art in their own right.

Look out for the 'dancing men' on the outside of the museum roundabout.

Holmes is timeless, talismanic, protean — reimagined for every generation. He's tackled Jack the Ripper, sentient holograms and murderous 22nd century robots. As the full title of this exhibition notes, he will never die because he never lived.

Sherlock Holmes, The Man Who Never Lived And Will Never Die is on at Museum of London until 12 April 2015. Tickets £12 (adult). See also the museum's series of Sherlock events.

Last Updated 17 October 2014

Darren Ross

While I must declare I'm not an impartial commenter (I was invited to the launch), I agree with the review and think it is an excellent exhibition. Some of the exhibits are exciting little pieces of history right there in front of you - the actual handcuffs used to apprehend Doctor Crippen; the first mention of Sherlock Holmes anywhere; the first manuscript of The Murders Rue Morgue (arguably the first detective story). Of course Sherlock Holmes fans like me will love (and be surprised by) the exhibition, but it covers so many interlinked areas (TV, film, literature, art, costume, drugs, forensics, crime, history, London, and more) that it ends up being interesting and delightful in its own right. And if you can't make it, there's even an online, whodunnit game you can play! #twopipeproblem

Elisabetta Duò

Please, don't close it yet! Wouldn't you just keep it open till the end of 2015?